San Carlo Borromeo is a Baroque style church located in Turin. It mirrors the adjacent church of Santa Cristina and faces the Piazza San Carlo. The church was commissioned in 1619 by Charles Emmanuel I, Duke of Savoy, who had met the archbishop, and later saint, after which the church is named. The main designer is uncertain; the work has been attributed to both Baron Maurizio Valperga, and the engineer Galleani di Ventimiglia. The first facade was designed in 1830 to designs of Grassi. The facade bas-relief depicting San Carlo granting communion to Duke Emanuele Filiberto was sculpted by Stefano Butti.
The main altar dates from 1653. Above the marble main altar is a painting depicting St Charles genuflects before the Sindone of Turin by Pier Francesco Mazzucchelli, also called il Morazzone. In 1866, the painter Rodolfo Morgari frescoed the walls and ceiling.
The church is located at the southwest end of the piazza San Carlo, where also is located the palace where Count Vittorio Alfieri wrote his first tragedic dramas.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.