The Château de Sully-sur-Loire is a castle converted to a palatial seigneurial residence. The château is the seat of the duc de Sully, Henri IV's minister Maximilien de Béthune (1560–1641), and the ducs de Sully. It is a château-fort, a true castle, built to control one of the few sites where the Loire can be forded; the site has perhaps been fortified since Gallo-Roman times, certainly since the beginning of the eleventh century. In 1218, Philip Augustus constructed a cylindrical keep to the south of the present enclosure, of which buried foundations remain. Guy de la Trémoille, inheriting the fortress, undertook the construction of the Donjon, flanked by four towers, beginning in 1395. The smaller side was added in the 16th century to provide more agreeable accommodation. Sully bought the domaine in 1602, enlarged the park and the fortress; he strengthened the embankments of the Loire to protect the town from occasional flooding.
The Château de Sully-sur-Loire remained in the possession of the family until 1962 when it became a property of the Département du Loiret, and has since benefited from numerous restorations. It hosts a classical music festival each June. The château contains numerous tapestries, including a set of six 17th century hangings, paintings of Sully's ancestors and heirs, and 17th century furnishings. Here is also the tomb of Sully and that of his second wife.
Henri IV never visited, but Mazarin and Anne of Austria took refuge here in March 1652 during the rigors of the Fronde, France's civil war. Turenne stayed here the same year, before his defeat of the Grand Condé at the battle of Bléneau. Later, in 1716 and again in 1719 the château sheltered Voltaire, when he had been exiled from Paris for affronting the Régent, Philippe, duc d'Orléans.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.