The castle of Alcalá la Real (or Fortaleza de La Mota) dates to the 13th-14th century, although some elements of the structure are older. La Mota was the last great defensive bastion before Granada as it is reached from Jaén and Córdoba. It’s conquest by Castile was very hard. In 1213, and for the first time, Alfonso VIII conquered the Almohades.
After the Christian conquest, at the beginning of the 13th century, the valuable fortress of La Mota fell once again into Muslim hands. It was not until 1341 that Alfonso XI forced the capitulation of the city through his conquest. After the conquest, Alfonso XI destroyed the Mezquita Mayor (Grand Mosque) and built, in the very same place, the first Iglesia Abacial with a Gothical style.
Its political and military importance increased during the final period of the Reconquest, in the second half of the 15th century, particularly during the 12 years in which the Catholic Kings waged war to conquer Granada. In this period, Alcalá la Real was declared “a very noble and very loyal town. Key, guardian and defender of the Kings of Castile.”
During the 18th century began the decline of the town of La Mota. A new urbanisation and repopulation program of los Llanos de Alcalá la Real started. Convents, churches and commercial areas were also built which led to an exodus of the population from the old medieval enclosure.
In 1812, Napoleonic troops burnt down the area and completely destroyed the place.
Some of the remains preserved include the abbatial church of Santa María la Mayor, a Gothic-Renaissance church (16th-17th centuries) that was abandoned, like the rest of the site, in the 18th century, when the inhabitants moved to the plain where the town is today.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.