The castle of Alcalá la Real (or Fortaleza de La Mota) dates to the 13th-14th century, although some elements of the structure are older. La Mota was the last great defensive bastion before Granada as it is reached from Jaén and Córdoba. It’s conquest by Castile was very hard. In 1213, and for the first time, Alfonso VIII conquered the Almohades.
After the Christian conquest, at the beginning of the 13th century, the valuable fortress of La Mota fell once again into Muslim hands. It was not until 1341 that Alfonso XI forced the capitulation of the city through his conquest. After the conquest, Alfonso XI destroyed the Mezquita Mayor (Grand Mosque) and built, in the very same place, the first Iglesia Abacial with a Gothical style.
Its political and military importance increased during the final period of the Reconquest, in the second half of the 15th century, particularly during the 12 years in which the Catholic Kings waged war to conquer Granada. In this period, Alcalá la Real was declared “a very noble and very loyal town. Key, guardian and defender of the Kings of Castile.”
During the 18th century began the decline of the town of La Mota. A new urbanisation and repopulation program of los Llanos de Alcalá la Real started. Convents, churches and commercial areas were also built which led to an exodus of the population from the old medieval enclosure.
In 1812, Napoleonic troops burnt down the area and completely destroyed the place.
Some of the remains preserved include the abbatial church of Santa María la Mayor, a Gothic-Renaissance church (16th-17th centuries) that was abandoned, like the rest of the site, in the 18th century, when the inhabitants moved to the plain where the town is today.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.