The Church of Nuestra Señora de la Asunción and the old convent of Santa María Magdalena de la Cruz are part of the convent founded by the Dominican Order in the town of La Guardia de Jaén. Construction at the current location began around 1539. Initially Gothic in style, the layout initially followed a project drafted by Domingo de Tolosa. It was later deeply revised by Andrés de Vandelvira, who imprinted his personal Renaissance stamp on the temple and cloister loggia.
Although the contract signed by Vandelvira set an execution period of two and a half years, the architect's work took a total of twenty-six years, which led to a new commission for Francisco del Castillo el Mozo, who built the arch over the choir; the enclosure of the façade, it ended the gallery of the cloister and adorned it with a fountain dedicated to María Magdalena, the patron saint of the convent. This fountain dates back to 1577, the end of the last construction period, and of all construction on the convent.
After the Civil War, the church became a parish church, thus recovering from a long period of abandonment due to its confiscation. The rest of the convent rooms were either sectioned off or later underwent major renovation, resulting in the current state of the complex, whose cloister and many of its attached rooms were occupied until the end of 2007 by the San Sebastián Olive Oil Cooperative.
The convent of Santa María Magdalena is an important heritage site in La Guardia de Jaén and one of the greatest examples of the architecture of the master builder Andrés de Vandelvira, who gave the church an iconographic program of great value, and the only example that we know in his production of an octagonal headboard.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.