The Assumption of the Virgin Cathedral is a Renaissance-style, Roman Catholic cathedral located in Santa María Square, opposite the Town Hall and the Episcopal Palace, in the center of Jaén.
The current cathedral was conceived in the 16th century to replace a previous 15th century Gothic edifice. Construction lasted for several centuries, with the original idea maintained. Of significance are the chapter house and sacristy, masterpieces of Andrés de Vandelvira and important examples of the Spanish Renaissance; the façade, built in the Baroque style with sculptures by Pedro Roldán; and the choir, built in the Neoclassical style and known as one of the largest in Spain.
Kept in the cathedral is a copy of the Veil of Veronica which probably dates from the 14th century, and originated in Siena. Acquired by Bishop Nicolás de Biedma, it is publicly displayed to the people every year on Good Friday and the Feast of the Assumption, as well as in a side chapel every Friday.
The site was once occupied by a mosque, which was reconsecrated as a church dedicated to the Assumption after Ferdinand III of Castile took Jaén in 1246. It was damaged and rebuilt on numerous occasions since until the 16th century, when the current edifice began construction.
Several architects were involved in building the cathedral, Andrés de Vandelvira being the most important one. The distinctive façade, designed by Eufrasio López de Rojas, only began construction in 1660, after the cathedral itself was already consecrated; further works involving interior decoration and the chapels would only conclude in 1724. In addition, consolidation works were necessary to the north façade after the Lisbon earthquake of 1755, which also led to the construction of the Sagrario there.
The Church of the Sagrario (Iglesia del Sagrario) is a building attached to the north facade of the cathedral, made due to the unevenness and damage caused by the Lisbon earthquake of 1755. The project for this work was designed by the Madrid architect Ventura Rodríguez in 1764 and executed by his nephew Manuel Martín Rodríguez. It was consecrated on March 22, 1801.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.