Notre-Dame de la Garde, known to local citizens as la Bonne Mère, is a Catholic basilica in Marseille, and the city's best-known symbol. It was built on the foundations of an ancient fort at the highest natural point in Marseille, a 149 m limestone outcropping on the south side of the Old Port of Marseille.
Construction of the basilica began in 1853 and lasted for over forty years. It was originally an enlargement of a medieval chapel but was transformed into a new structure at the request of Father Bernard, the chaplain. The plans were made and developed by the architect Henri-Jacques Espérandieu. It was consecrated while still unfinished on 5 June 1864. The basilica consists of a lower church or crypt in the Romanesque style, carved from the rock, and an upper church of Neo-Byzantine style decorated with mosaics. A square 41 m bell tower topped by a 12.5 m belfry supports a monumental 11.2 m statue of the Madonna and Child, made of copper gilded with gold leaf.
The exterior of the building features layered stonework in contrasting colours: white Calissane limestone alternates with green sandstone from Golfolina near Florence. Marble and pictorial mosaics in various colours decorate the upper church. A 35 m double staircase leads to a drawbridge, granting access to the crypt and, via another set of stairs, to the church's main entrance.
The entrance hall under the bell tower features marble statues of Bishop Eugène de Mazenod and Pope Pius IX, both carved by Joseph-Marius Ramus. Staircases on both sides of the entrance lead to the church above.
The Romanesque crypt is composed of a nave with low barrel vaults, bordered by six side chapels corresponding exactly to those of the upper church. Unlike the upper church, the crypt is dim and somber. The side chapels contain plaques with the names of various donors. The side altars are devoted to saints Philomena, Andrew, Rose, Henry, Louis and Benedict Labre.
The main altar was built of Golfolina stone with columns of Spanish marble. Behind the altar is a statue of the Madonna holding a bouquet, the Vierge au Bouquet. Joseph-Elie Escaramagne obtained this statue for the original chapel in 1804. At first the Madonna held a sceptre, but due to the sceptre's poor condition, it was replaced by flowers. Two staircases flanking the main altar lead to the sacristy buildings and the choir above, but they are off-limits to the public.
The nave's interior is 32.7 m long and 14 m wide. The interior is decorated with 1,200 m2 of mosaics as well as alternating red and white marble columns and pilasters. The mosaics were created between 1886 and 1892 by the Mora company from Nimes.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.