The chapel of Our Lady Queen of Peace, or Foujita Chapel, was constructed in 1965-1966 at Reims, France. The chapel was conceived and designed by the artist Tsuguharu Foujita, and is famous for the frescos he painted in the interiors. The chapel was consecrated in 1966, and in 1992 was listed as an historic monument of France.
Foujita was a Japanese born painter who came to Paris in 1913, and is a known member of the School of Paris. After experiencing mystical enlightenment at the Abbey of Saint-Remi Basilica in Reims in 1959 he converted to Catholicism and was baptised.
Foujita's godfather René Lalou, then the chairman of Mumm champagne, decided with Foujita to build a Romanesque chapel dedicated to the Virgin Mary. Foujita drew up the plans for the chapel and the interior and exterior decoration, including stained glass windows, reliefs, ironwork, sculptures, and the frescos.
In 1965, work began under the architect Maurice Clauzier and was finished in 1966. The stained glass windows were crafted by the glazer Charles Marq, the wrought iron work and sculptures by Maxime Chiquet and the Andre brothers.
Over a period of three months in early June and August 1966, Foujita, by then 80, painted the chapel walls with religious iconography in the form of large frescos in blues, greens, browns and yellows. Although the frescos are of Christian themes, one can also find depictions of Foujita and his wife Kimiko, in addition to his friend Lalou and Lalou's wife.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.