The Notre-Dame-en-Vaux in Châlons-en-Champagne. The cathedral is a major masterpiece in Marne. With its spires, visible from dozens of kilometres away, it is one of the most amazing monuments in Châlons’ rich heritage. The church is registered on the World Heritage List by UNESCO under the title of 'roads to St Jacques de Compostela in France'.
Originally located outside the city walls, Notre-Dame-en-Vaux was built on a swampy area where three rivers converged, of which only the Mau remains. It was not brought inside the city walls until the 13th century. The first chapel was built in the 9th century, the church was subsequently built and occupied by a community of canons in 1114 who lived together “in college”, hence its status as a collegiate church.
Only the lower level of the transept and the towers of the chevet remain from this period. The rest of the building underwent reconstruction until 1217, in a so-called transitional style (leading to the Gothic period). It was at this point that Notre-Dame became an important pilgrimage destination. The chancel and the ambulatory with three stunning chapels, the first level of the transept and the nave with seven bays date from this period. The south porch, in a flamboyant Gothic style, was completed in 1469.
The collegiate church suffered greatly during the French Revolution and in the decades that followed. It was even transformed into a horse arena and then into stables, and was later invaded by the coalition armies. Throughout the 19th century, the celebrated architect, Lassus, and the Champenois abbot sought to restore the medieval architecture of Notre-Dame-en-Vaux. They had a second spire reconstructed on the façade. In addition, they restored an organ and some stained-glass windows in a Gothic style. They also repaved the ground with ancient tombstones and commissioned the Châlons artist Gustave Moriamé to design the neo-Gothic high altar.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.