Built between 1921 and 1931, the Dormans Memorial commemorates the victories won in the Marne between 1914 and 1918. The impressive ensemble was designed by architects Marcel and Closson. A monumental staircase leads to a large square with a sundial and a viewpoint indicator that shows the names of the villages in the Marne Valley where the Battle of 1918 was fought. The square itself leads to a crypt that is overlooked by the church that boasts a bell tower and two ridge towers.
The four columns standing on the crypt’s vaulted bases are decorated with sculptures depicting the four great invasions of France by the Huns, the Arabs, the English and the Germans, which were all contained (the Catalunian Plains in 451, Poitiers in 732, Orleans in 1429 and Dormans 1914-1918).
The 52-metre tower houses several bells, the largest weighing 304 kg. Beside the chapel is a cloister. Rather austere in appearance with its pointed arch, from the side it is attached to a funerary building housing the ossuary, close to a lantern tower for the dead. At its entrance, a medallion features the effigies of marshals Foch and Joffree, the two victors of the battles of the Marne, while the names of all the soldiers who fought in the battles are engraved in the wall plaques.
Inside the ossuary, the mortal remains of 1,332 French soldiers who fell between 1914 and 1918 are held in 130 coffins; only 11 of these men were identified. The funerary chamber also holds two urns: the first one contains earth taken from the cemetery in Italy where soldiers of the Free French Forces killed during the battles in 1943-1944 in Monte Cassino are buried; the other holds the ashes of deportees returned from Dachau in 1948.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.