Loučeň Castle was built on the site of a former medieval fortress. The first mention of this fortress dates back to 1223 and was discovered in the testimonial of the Prague bishop Peregrinus. This year is also considered the first official mention of the village of Loučeň. From that time until 1618, several lords and peasants alternated as owners of the fortress.
In 1612, the castle of Loučeň and other adjacent villages were owned by Václav Berka of Dubá the Elder, a very wealthy nobleman who did not sympathize with Emperor Ferdinand II. Therefore, in 1620, after the Battle of White Mountain, Václav Berka left the country and the castle was confiscated in 1622 due to his participation in the anti-Habsburg uprising. A year later, all of Berka's property was purchased by Adam of Valdštejn.
During the Thirty Years' War, all the surrounding villages in the Nymburk region were heavily affected by the invasion of armies. The dilapidated fortress in Loučeň was not renovated until 1704-1713, when Karel Arnošt of Valdštejn began to transform it into a Baroque castle. A chapel was also added to the castle, which was later converted into the Church of the Assumption of the Virgin Mary. After Karel Arnošt's death, his daughter Eleanora took over the estate, and she passed it on to her daughter Maria Anna. She was very determined, persecuted evangelicals, and tightened the requirements of serfdom. Maria Anna married Josef Fürstenberg, and thus the ownership of Loučeň Castle passed from the Valdštejn family to the Fürstenbergs.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.