Loučeň Castle was built on the site of a former medieval fortress. The first mention of this fortress dates back to 1223 and was discovered in the testimonial of the Prague bishop Peregrinus. This year is also considered the first official mention of the village of Loučeň. From that time until 1618, several lords and peasants alternated as owners of the fortress.
In 1612, the castle of Loučeň and other adjacent villages were owned by Václav Berka of Dubá the Elder, a very wealthy nobleman who did not sympathize with Emperor Ferdinand II. Therefore, in 1620, after the Battle of White Mountain, Václav Berka left the country and the castle was confiscated in 1622 due to his participation in the anti-Habsburg uprising. A year later, all of Berka's property was purchased by Adam of Valdštejn.
During the Thirty Years' War, all the surrounding villages in the Nymburk region were heavily affected by the invasion of armies. The dilapidated fortress in Loučeň was not renovated until 1704-1713, when Karel Arnošt of Valdštejn began to transform it into a Baroque castle. A chapel was also added to the castle, which was later converted into the Church of the Assumption of the Virgin Mary. After Karel Arnošt's death, his daughter Eleanora took over the estate, and she passed it on to her daughter Maria Anna. She was very determined, persecuted evangelicals, and tightened the requirements of serfdom. Maria Anna married Josef Fürstenberg, and thus the ownership of Loučeň Castle passed from the Valdštejn family to the Fürstenbergs.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.