The Church of the Assumption of Our Lady and Saint John the Baptist is a Gothic and Baroque Gothic church in Kutná Hora. It is listed in the UNESCO World Heritage List together with the Chapel of All Saints and its ossuary and other monuments in Kutná Hora. It is one of the most important Czech Gothic buildings built in the time of the very last Přemyslids and also a very important and one of the oldest examples of the Baroque Gothic style.
The church was built first in the Gothic style around 1300 as one of the first High Gothic building in the Kingdom of Bohemia and as the first church in the kingdom resembling French Gothic cathedrals. It was built on the place of an older church and was a part of the Cistercians Sedlec Abbey, which was the oldest Cistercian abbey in the Czech lands founded in 1142. The abbey was burnt down by the Hussites in 1421 and the church became a ruin for the next two centuries.
In 1700 the abbot of the Sedlec Abbey Jindřich Snopek decided to rebuild the old church. The reconstruction was conducted by the architect Pavel Ignác Bayer. After three years the new architect became Jan Blažej Santini-Aichel who had worked for the Cistercians already in Zbraslav. He completed the reconstruction of the church in his original style called Baroque Gothic. His most impressive works in the church are the amazing vaults and front wall of the church with its antechamber decorated with the statues by Matěj Václav Jäckel. The church was consecrated in 1708.
Although the church was rebuilt in the early 18th century his eastern part with side chapels, choir and transept should have preserved its original appearance from outside.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.