Valle Crucis Abbey (Valley of the Cross) is a Cistercian abbey located in Llantysilio in Denbighshire, Wales. It was founded in 1201 by Madog ap Gruffydd Maelor, and was the last Cistercian monastery to be built in Wales.
The completed abbey is believed to have housed up to about sixty brethren, 20 choir monks and 40 lay-members who would have carried out the day-to-day duties including agricultural work. The numbers within the church fluctuated throughout its history and the monks and the abbey itself came under threat from various political and religious events. The abbey is believed to have been involved in the Welsh Wars of Edward I of England during the 13th century, and was supposedly damaged in the uprising led by Owain Glyndŵr. Numbers also fell after the Black Death ravaged Britain.
The fortunes of Valle Crucis improved during the 15th century, and the abbey gained a reputation as a place of hospitality. Several important Welsh poets of the period spent time at the abbey.
In 1537, Valle Crucis was dissolved, as it was deemed not prosperous compared to the more wealthy English abbeys. After the Dissolution of the Monasteries, the site fell into disrepair, and the building was given to Sir William Puckering. By the late 16th century the eastern range was converted into a manor house. By the late 18th century the building that remained were re-roofed and the site was used as a farm, before excavations were undertaken in the later half of the 19th century. The site is now cared for by Cadw, and is an open visitor attraction. It is surrounded by a caravan park, which occupies fields on three sides and extends up to the outer walls of the ruin.
Valle Crucis Abbey consisted of the church plus several adjoining out buildings which enclosed a square courtyard. The church itself ran West to East in the traditional cruciform style. Today much of the original church is ruined, though the west end front wall survives, including the masonry of the rose window, and much of the east end. In the 14th century the church was effectively divided by a pulpitum across the nave. The lay brothers worshipped before an altar in front of the pulpitum, and the choir monks before the high altar or side chapels.
The outbuildings including the adjoining east range, which survives mainly intact and the west range, which housed the lay brethren's frater, but is now demolished. Completing the four sides of the inner courtyard was the southern frater and kitchen, which faced the church; these two building are also now ruins, with only foundation stones remaining. The east and west ranges housed the cloisters, with the east range also leading to the final structure, the abbot's lodgings which settled between the range and the church but outside the courtyard. The site is also home to the only remaining monastic fishpond in Wales, but suffered from being remodelled as a reflecting pool in the 18th century.
As well as the west end front wall, extensive parts of the east end of the structures survive to the present day. The chancel walls, the southern part of the transept, the east range of the cloister together with the chapter house and sacristy and the lower part of the reredorter all survive mainly intact. In 1870 the west end wall was restored by George Gilbert Scott.[5] Rather unusually for a monastic ruin, parts of the first floor can be accessed, including the dormitory and abbot's lodgings.
Many pieces have been removed by the local museum, and the font from the church was placed in the gardens of Plas Newydd, Llangollen by the Ladies of Llangollen in the late 18th century.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.