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At the top of Lagopesole is located a castle, attributed to Frederick II that was probably built between 1242 and 1250. A distinguishing feature of this castle from all the others attributed to Frederick II is the presence within it of a real church (not a simple chapel) in an austere Romanesque style.
Pope Innocent II and Abbot Rinaldo of Montecassino met there, in the presence of Emperor Lothair II of Saxony during the war against Roger the Norman. In 1268 and 1294, Charles I of Anjou stayed at the castle. In 1416, both this fortress and the Melfi castle were acquired by the Caracciolo family. In 1531, Emperor Charles V donated it to the Doria family.
In the nineteenth century, the castle was the refuge of bandits, led by Carmine 'Donatelli' Crocco, who during April 7, 1861, occupied it with another 400 brigands.
The main courtyard is part of the enlargement work commissioned by Frederick II (1242) on the remains of previous Norman and Angevin buildings, and it includes also a wide tank and a big chapel. The chapel, built in the Romanesque style, distinguishes this splendid manor house from the other buildings attributed to Frederick II, being the only example of a place of worship as compared to the other castles dating back to the imperial period.
Even after the renovation works performed in the nineties, today the Lagopesole Castle still preserves the changes commissioned by Charles I, known also as Charles of Anjou. Used as a shelter by the Italian brigands led by Carmine Crocco in the nineteenth century, today the castle is an ideal location to host prestigious cultural events. A must-see attraction is the castle’s museum, where you can take a journey into the life of the Roman Emperor thanks to the multimedia “World of Frederick II” visitor experience and a multimedia show.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.