In 1972, remains were archaeologically dug out of a first church, built in Carolingian style around the year 1000 on the site of current St. Martin church. Foundations of a second church built on that spot, in Romanesque style, were found as well. The present building had been constructed between 1234 and 1365 as the church of a college devoted to the cult of Martin of Tours, and since defunct. The current, conspicuous helmet crowning the bell tower had been added in 1572 in Renaissance style after a fire.
The church is surrounded by several portals of rather small dimensions, speaking relatively to the volume of the building. Some of these portals are bricked up. The largest portals display richly sculpted tympana. The coloured tile roof, reminding that of the Collégiale Saint-Thiébaut in Thann, is another striking feature of the church's exterior. The massive pillars that support the façade, an architectural rarity, give the front of the building a somewhat cumbersome aspect that contrasts with the airy look of the high apse windows. Another noteworthy detail of the building's exterior, testament to the troubled History of Jews in Alsace, is the presence of two 'Judensäue', one in the shape of a gargoyle, the other as a corner sculpture of a portal.
In the spacious interior, whose furniture had suffered bitter losses during the French Revolution, the most remarkable features are the exuberant Baroque organ case of 1755, (the mechanism and the pipes themselves, originally built by Johann Andreas Silbermann, were completely replaced in 1979), as well as the ambulatory, a unique feature in Alsatian churches. The many chapels that surround the choir display several medieval altars and statues. Of the remaining Gothic stained glass windows in the nave, the most noteworthy is a 13th century head of a beardless Christ, another rare feature.
Martin Schongauer's monumental Madonna of the Rose Bower was painted for the church in 1473 and stood there until 1972, when it was stolen. After its recovery in 1973, it was moved to the neighbouring former Dominican Church, another Gothic, but architecturally very different sanctuary.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.