Château de Ferrette is a ruined castle on a rocky peak looking over the town of Ferrette. It was built by in the 12th century by Frederic of Montbeliard, son of Louis IV, count de Monbéliard. It is not known if Frederic completely built the castle or simply restored a fortress by building on the ruins of what was an observation tower built by the Romans.
Given as a bailiwick to the lords Reich von Reichenstein in 1504, then to the Fuggers of Augsburg from 1540 to 1567, the castle was transformed into a garrison.
In 1600, the castle had three buildings, the higher castle, bailiff's house and house of knights. A wall with towers and bastions designed to be held in a determined attack, surrounded the castle.
Set on fire by the French in 1635, the castle was destroyed after the Thirty Years' War and only the lower part was restored. In 1644, at the Treaty of Munster in Westphalia, the Emperor of Austria yielded the county of Ferrette to the King of France, Louis XIV, who gave it to his minister, Cardinal Mazarin, who offered it to his niece. Her husband took the titles of Duke de Mazarin and Count de Ferrette. These titles were passed on to his heirs and exist today in the person of the Prince of Monaco who still carries the title of Count de Ferrette.
Thereafter, the castle was sold to the Zuber family, rich textile manufacturers from the Mulhouse region. Its ruins are maintained with the financial aid of the town of Ferrette.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.