The dolmen del prado de Lácara is a megalithic passage tomb located northwest of Mérida. It is a notable megalithic tomb, built during the late Neolithic towards the end of the 4th millennium BC or early 3rd millennium BC. It is one of the most monumental and well preserved sites in the Extremadura region.
The dolmen in Lácara is a typical Extremaduran tomb with a long corridor, the largest in the region. The chamber, used for collective burials, is circular and made of seven granite slabs, one of which remains intact. The corridor is 20 meters long and divided into an atrium and two antechambers. The dolmen was originally covered by an earth mound with an elliptical shape, surrounded by a pebble wall.
The dolmen's prolonged use and instances of looting have made it difficult to estimate the number of burials and the full range of grave items. Excavations uncovered various artifacts, including ceramic containers, stone tools, arrowheads, personal adornments, copperheads, a slate plaque idol, and ocher pieces. The burial dates back to the late Neolithic period, around the end of the 4th millennium BC or the beginning of the 3rd millennium BC. It continued to be used for Chalcolithic burials in the 3rd millennium BC.
The dolmen was repurposed in Roman and Medieval times, affecting the original burials and grave goods. It also endured structural damage, including quarrying and dynamiting in the 19th century. Fortunately, parts of the structure have survived, allowing us to imagine its original grandeur.
The dolmen's existence has been known since the late 19th century, with references by scholars like Vicente Barrantes. It was declared a National Monument in 1931 and underwent systematic excavation from 1957 to 1958, led by archaeologist Martín Almagro Basch.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.