The importance of Coria in Roman times is reflected in its defensive military fortification erected during the Early Roman Empire (1st century). Its layout is the shape of an irregular trapezoid featuring solid walls of granite ashlar masonry, completed with the traditional pattern of stretcher and header bond on their faces and the internal reinforcement with a 3-metres-thick layer of concrete. These walls are defended by twenty-three robust square or cube-shaped towers, each located about 20 or 30 metres apart, surrounding its total perimeter of 1,065 metres. The imposing fortification extends across six hectares of land, as the walls adapt to the uneven terrain with their width occasionally exceeding 4 metres and their height ranging between 10 and 14 metres.
These enormous defensive walls protect its boundaries and give access through four entrance gates: to the north, the Puerta de San Pedro/Puerta del Sol (1st century); to the southwest, the Puerta de la Guía/Puerta de la Ciudad (1st century); to the northwest, the Puerta de San Francisco/Puerta del Rollo (16th century); and to the east, the Puerta del Carmen/Puerta Nueva (16th century). These huge gates are reminiscent of the Roman domination and presence in the territory. Although, throughout its extensive history, this borderland has been subjected to alterations and several episodes of war, the Roman City Walls of Coria, as a whole, are arguably among Europe’s best-preserved fortifications.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.