Roman sites in Spain
Aqueduct of Segovia
The Roman aqueduct of Segovia was built, probably in the 1st century BC, to bring water from the mountains to the hilltop settlement of Segovia. It was a massive feat of engineering as it ran for around 15 km and had to cross a wide valley before it entered the city. It was used to bring water to the town until the 19th century. Today the aquduct is part of a UNESCO World Heritage Site that also includes the old city and ...Walls of León
The walls that can be seen today in León were built between the 3rd and 4th century by the Romans. The medieval wall that extends to the south is an addition built by King Alfonso VI at the end of the 14th century.La Olmeda
The palatial Late Antique Roman villa at La Olmeda was built in several stages, beginning in the second quarter of the fourth century and extending in use at least to the end of the fifth. The villa complex centers on the elite quarters of rigorously symmetrical disposition, wherein twenty-seven rooms, twelve with mosaic floors, are disposed around a central patio crossed with mosaic paths in geometric patterns and ...Roman Bridge of Salamanca
The Roman bridge of Salamanca crosses the Tormes River. Actually it is a construction of two separated bridges by a central fortification: the old bridge which extends along the portion near the city and it is of Roman origin, and the new bridge. Of the twenty-six arches, only the first fifteen date from Roman times. The bridge has been restored on numerous occasions and has survived several attempts demolition. ...Las Médulas
Las Médulas is a historic gold mining site near the town of Ponferrada. It was the most important gold mine (and largest open pit gold mine) in the entire Roman Empire. Las Médulas Cultural Landscape is listed by the UNESCO as one of the World Heritage Sites. The spectacular landscape of Las Médulas resulted from the ruina montium (wrecking of the mountains), a Roman mining technique described by Pliny the ...Roman Circus
The Roman Circus of Toledo was built during the 1st century, during the mandate of the emperor Augustus or the emperor Tiberius. Possibly, its construction was included within the plan that the emperor undertook by all the Empire to endow to all the great cities of public buildings, like thermaes, theaters, amphitheaters, or forums, with the aim of promoting the Romanization in these zones. In particular, the ...City walls of Toledo
Toledo was walled by Romans, and a lot of its stones were reused later in built walls, as the original perimeter was subsequently tripled. The Visigothic King Wamba renewed the Roman fortifications, sculpting in its gates an inscriptions. The inscriptions were destroyed by the Muslims, and restored in 1575 by the Corregidor Juan Gutiérrez Tello. The Arabs widened the city and the walls. After the Reconquista, the ...Roman Remains of Pollentia
Pollentia was founded by the consul Qintus Caecilius Metellus in 123 BC in the strategic location between the bays of Pollenca and Alcudia. It was the most important city in the Balearics duing the Roman period and covered an area of 15-20 hectares. This area suffered a devastating fire in the 3rd century AD, but the city was not depopulated, since the construction of a fortification in the fifth century AD has been docum ...Baelo Claudia
Baelo Claudia is a well preserved Roman city in Andalucia, Spain, founded in the 2nd century BC. The town was important for fish processing. It was also a centre for trade with Roman towns in North Africa. Today you can visit the museum, walk around the remains, and admire the scenic location.Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Monastery of São Vicente de Fora
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.