The Visigothic necropolis of Arroyo de la Luz is an archaeological site located in the Spanish municipality of Arroyo de la Luz, in the province of Cáceres. It is a complex of anthropomorphic tombs from the Late Roman to Medieval period, built in an area of granite in the dehesa (pasture) of La Luz, to the north of the town.
The necropolis is situated about 500 meters from the hermitage of the Virgin of La Luz. According to research on the graves, as well as the discoveries of ceramics and coins, the necropolis has been dated to between the 4th and 7th centuries. It is mainly from the Visigothic era but with a preceding Late Roman origin. The tombs, carved into the rock, consist of two main groups, the first of which comprises eight anthropomorphic tombs oriented east-west.
A bit further to the south is a group of four anthropomorphic tombs. While two follow the usual east-west orientation, the others are oriented south-north. One is close to a pond. In the west, there is a tomb with a normal alignment next to the square base of an oil press.
All the tombs located close to the ground on a granite outcrop belong to adults. Since no shape has been excavated around them for elevation, rainwater can fill them. There are no traces of the covers that once protected them. The foundations of the oil or grape presses can be seen on the granite rocks surrounding the tombs.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.