Trengwainton is a garden situated in Madron, near Penzance, and is noted for its collection of exotic trees and shrubs and offers views over Mount's Bay and The Lizard. The house is not open to the public.
First mentioned in 1319 as Trethigwaynton, the name comes from the Cornish language gwenton (springtime). The current dwelling has been on the site since at least the 16th century and was altered and extended in the 18th and 19th centuries. The house is a grade II listed building. The walled garden, which was built in Elizabethan times, seems to have been constructed as a response to the period of persistently cooler weather known as the Maunder Minimum. The wall prevented warm air from escaping from the garden on cool nights, thereby allowing frost-sensitive fruit trees to survive, despite the cooling climate.
In 1814 the estate was bought by Rose Price the son of a Jamaican sugar plantation owner. Trengwainton was sold following the loss of income resulting from the 1833 Emancipation Act which freed slaves on the family's Worthy Estate in Jamaica. In 1867 the property was bought by Thomas Simon Bolitho. In 1877 it was inherited by his son Thomas Robins Bolitho. He extended it with several rooms in 1880; and in 1925 he bequeathed it to his nephew, Edward Hoblyn Warren Bolitho. Rose Price planted trees and built the walled gardens, which are said to be based on the dimensions of Noah's Ark, and in 1925 Edward Bolitho and his head gardener Alfred Creek continued the development of the garden. They were opened to the public, for the first time, in 1931. The Victoria Medal of Honour for Horticulture was awarded to Edward in 1961 and in the same year he donated 98 acres to the National Trust.
Today the garden is open to the public.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.