The Patras Castle was built around the mid-6th century AD above the ruins of the ancient acropolis of the city of Patras, on a low outlying hill of the Panachaiko Mountain. The castle consists of a triangular outer wall, strengthened by towers and gates and further protected originally by a moat, and an inner compound on the northeastern corner, also protected by a moat.
The first castle on the spot was built by Byzantine emperor Justinian I after the catastrophic earthquake of 551, re-using building material from pre-Christian structures.
The fort remained in constant use thereafter, even until the Second World War. In the Byzantine period, it was besieged by Slavs, Saracens, Normans and many others, but it never fell. In particular, the successful repulsion of a great siege of 805 AD by the Arabs and the Slavs was attributed to the city's patron saint, St Andrew.
In 1205, in the aftermath of the Fourth Crusade, it was taken over by the Franks, who strengthened it further, opening a moat on all three sides. In 1278, the Principality of Achaea pawned it to the local Latin (Catholic) Archbishop, while the Pope leased it to the Venetians for five years in 1408. The Latin Archbishop remained in possession of the castle until 1430, when it was taken by the Despot of the Morea and future last Byzantine emperor, Constantine Palaiologos, who made extensive repairs to its walls. The castle fell to the Ottoman Turks in 1458, and remained one of their main seats of power in the Peloponnese throughout the Tourkokratia. The Venetians took the castle in 1687 during the Morean War, and kept it until the Morea was retaken by the Turks in 1715, who called it Balya Badra.
Following independence, the castle remained in use by the Greek Army until after World War II. In 1973, the castle was turned over to the 6th Ephorate of Byzantine Antiquities. It is used nowadays for cultural events, especially during summer, and features a theatre with a capacity of 640 seats.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.