The Rio Castle in opposition to its counterpart, the Castle of Rumelia at Antirrio, is located at the north tip of the Rio peninsula in Achaea, Greece, at the entrance of the Corinthian Gulf. The Rio-Antirio Bridge is located next to it, and the local ferry docks lie on either side. Today it is used for cultural purposes, especially concerts and is a tourist attraction.
The castle was built by the Ottoman Sultan Bayezid II in 1499 above the ruins of an ancient temple of Poseidon, within three months. Along with its twin, the Antirrio Castle, they were intended to protect the entrance to the Corinthian Gulf, and were nicknamed the 'Little Dardanelles'. The castle is located on the sea shore, with its northern side protected by the sea and the southern by a broad moat, filled with sea water, and two outer bastions (ravelins), linked to the main fort by stone bridges. It has two gates, the central one, facing landwards, and the sea gate.
In 1533, it was briefly captured by the Genoese under Andrea Doria, but the Ottomans recaptured it later in the year. In 1687, during the Morean War, it was taken by the Venetians under Francesco Morosini. The Venetians rebuilt the castle, restoring and strengthening it by the addition of towers, giving it its final shape. The Venetians also added the small chapel of the Life-giving Spring. The Ottomans retook it in 1715, and remained until they surrendered it to French General Nicolas Joseph Maison. Between 1831 and 1912, the castle was used as a military and then civilian prison, whose inmates were often used by the municipality of Patras for cleaning the streets of Rio.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.