The Cathedral of the Assumption of Our Lady of Segorbe was originally a mosque. It was completely rebuilt in 1246 in Valencian Gothic style in such a manner that it preserves no trace of Arab architecture. Of this 13th-century edifice, only parts of the western façade, the vaults of several chapels, the load-bearing walls, the tower of Santa Barbara, the bell tower and the cloister remain. It was consecrated on in 1534, and has a single, cross-vaulted nave, without transept and dome, with chapels located between the buttresses. It is connected by a bridge with the old episcopal palace.
The bell tower, with a massive appearance and a square plan, is typically Romanesque in his simplicity. It stands at a height of 36 metres. The Gothic cloister has a trapezoidal plan and two floors: the lower one dates to the 14th-15th centuries, while the other was added in the late 15th and early 16th centuries. The main façade dates to 1665.
The presbytery was renewed in Renaissance style during the 16th century; the high altar was also added in 1530. The church is decorated by frescoes of Luis Planes.
The church was renovated in 1791-1795 in Neo-classic style, resulting in the nearly total hiding of the Gothic structure. The nave was lengthened, and new altars were added.
The Cathedral museum houses several artworks by local and foreign artists, belonging to the International Gothic, the 15th-century Flemish painting, the 16th-century Valencian school and more recent ones. Artists represented include Jaume Mateu (St. Jerome Altarpiece, c. 1450), Vicente Juan Masip and his son Juan (two 16th-century altarpieces), as well as the Italian Donatello, with an attributed work.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.