Cathedrals in Spain
Burgos Cathedral
The Burgos Cathedral construction began in 1221 and was completed in 1567. It is a comprehensive example of the evolution of Gothic style, with the entire history of Gothic art exhibited in its superb architecture and unique collection of art, including paintings, choir stalls, reredos, tombs, and stained-glass windows. The plan of the Cathedral is based on a Latin Cross of harmonious proportions of 84 by 59 metres. The ...Ávila Cathedral
The Cathedral of Ávila has Romanesque and Gothic architectural traditions. It was planned as a cathedral-fortress, its apse being one of the turrets of the city walls. It is surrounded by a number of houses or palaces. It is not known exactly when the construction of the Cathedral began, there being two theories. One states that Alvar García started its construction in 1091 inside the remains of the Church of the ...Valladolid Cathedral
The Cathedral of Our Lady of the Holy Assumption in Valladolid was originally designed as the largest cathedral in Europe. Initially planned as the Cathedral for the capital city of Spain, ultimately, only 40-45% of the intended project was completed, due to lack of resources after the court moved towards Madrid, and the expenses caused by the difficult foundations of the church. The structure has its origins in a late ...León Cathedral
León Cathedral was built on the site of previous Roman baths of the 2nd century. During the Christian reconquest the ancient Roman baths were converted into a royal palace. King Ordoño II, who had occupied the throne of Leon in 916, defeated the Arabs in the Battle of San Esteban de Gormaz in 917. As a sign of gratitude to God for victory, he gave up his palace to build the first cathedral. Under the episcopate ...Palencia Cathedral
Palencia Cathedral was built from 1172 to 1504 stands over a low vaulted Visigothic crypt (the Crypt of San Antolín). It is a large Gothic building, popularly dubbed as 'The unknown beauty' because not as well known as other Spanish cathedrals, though, it is a valuable building which has in its interior a large number of works of art of great value. Its more than 130 metres long, 42 metres high and 50 metr ...Old Cathedral of Salamanca
The Old Cathedral is one of two cathedrals in Salamanca. It was founded by Bishop Jerome of Périgord, in the 12th century and completed in Romanesque/Gothic style in the 14th century. It is dedicated to Santa Maria de la Sede. The apse houses a large cycle of 53 tableaux, 12 of which by the 15th-century Italian artist Dello Delli, depicting the life of Jesus and the Virgin Mary. A fresco of the Final Judgemen ...New Cathedral of Salamanca
The New Cathedral is located adjacent to the Old Cathedral in Salamanca. It was constructed between the 16th and 18th centuries in two styles: late Gothic and Baroque. Building began in 1513 and the cathedral was consecrated in 1733. The building began at a time when the gothic style was becoming less popular and was merging with the new Renaissance style, giving the resulting Plateresque style in Spain. Howev ...Zamora Cathedral
Built between 1151 and 1174, Zamora Cathedral is one of the finest examples of Spanish Romanesque architecture. A previous church, also entitled to El Salvador ('Holy Savior') existed at the time of King Alfonso VII of Castile, but it was apparently in ruins, so that the king donated the church of St. Thomas in the city to act as cathedral. The church was built under bishop Esteban, under the patronage ...Segovia Cathedral
Begun in 1525, the construction of Segovia Cathedral was ordered by Charles V to replace an earlier cathedral near the Alcázar, which had been destroyed during the War of the Comuneros, a revolt against that king. The designs for the cathedral were drawn up by the leading late-Gothicist Juan Gil de Hontañón but executed by his son Rodrigo, in whose work can be seen a transition from the Gothic to the Renaissance style ...Ciudad Rodrigo Cathedral
Construction of the Ciudad Rodrigo Cathedral began in the 12th century and did not finish until the 14th century. The architecture of the cathedral is uniform, despite later reforms and additions that can be seen in some of the chapels, such as the San Blas chapel. The Portico del Perdón alone contains more than 400 Romanesque and Gothic sculptures of great beauty. Although it began in the 12th century, the work continu ...Almudena Cathedral
When the capital of Spain was transferred from Toledo to Madrid in 1561, the seat of the Church in Spain remained in Toledo and the new capital had no cathedral. Plans to build a cathedral in Madrid dedicated to the Virgin of Almudena were discussed as early as the 16th century but even though Spain built more than 40 cities in the new world during that century and plenty of cathedrals, the cost of expanding and kee ...Astorga Cathedral
The Cathedral of Astorga edifice was begun in 1471, within the same walls of its Romanesque predecessors from the 11th-13th centuries. The construction lasted until the 18th century, thus to its original Gothic style appearance were added elements from later styles, such as the Neo-Classicist cloister (18th century), the Baroque towers, capitals and the façade, and the Renaissance portico. The interior houses nume ...Toledo Cathedral
The Primate Cathedral of Saint Mary of Toledo is one of the three 13th-century High Gothic cathedrals in Spain and is considered to be the masterpiece of the Gothic style in Spain. It was begun in 1226 under the rule of Ferdinand III and the last Gothic contributions were made in 1493 when the vaults of the central nave were finished during the time of the Catholic Monarchs. It was modeled after the Bourges Cathed ...Alcalá de Henares Cathedral
The Cathedral of St Justus and St Pastor in Alcalá de Henares was constructed between 1497 and 1515 in late Gothic style. The tower was built between 1528 and 1582. During the Spanish Civil War (1936-1939) the church was burned losing virtually all its treasures, saving some bars and some chairs from the old choir. In 1991 the diocese of Alcalá restored and elevated to the status of cathedral-master, the Diocese Comp ...Palma Cathedral
Built by the Crown of Aragon on the site of a Moorish-era mosque, Palma cathedral is 121 metres long, 55 metres wide and its nave is 44 metres tall. Designed in the Catalan Gothic style but with Northern European influences, it was begun by King James I of Aragon in 1229 but only finished in 1601. It sits within the old city of Palma atop the former citadel of the Roman city, between the Royal Palace of La Almuda ...Ciutadella de Menorca Cathedral
The Cathedral Basilica of Ciutadella de Menorca was constructed on the orders of King Alfonso III of Aragon, the conqueror of the island, in 1287 on the site of an old mosque. Construction started in 1300 and was finished in 1362, creating a building of the Catalan Gothic style, and is notable for the width of the nave, flanked by six chapels to each side. The five-sided apse is oriented to the east. After the d ...Burgo de Osma Cathedral
The Cathedral of Burgo de Osma is in the Gothic architectural style, and was constructed on an area previously occupied by a Romanesque church. It is one of the best preserved medieval buildings in the country and considered one of the best examples of thirteenth-century gothic architecture in Spain. The building of the church started in 1232, and was completed in 1784. The cloister is from 1512. The tower is from 17 ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Royal Palace of Aranjuez
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
Real Casa del Labrador
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
King's Garden, the Island Garden, Parterre Garden and the Prince's Garden
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.