The Cathedral of the Assumption of Our Lady of Segorbe was originally a mosque. It was completely rebuilt in 1246 in Valencian Gothic style in such a manner that it preserves no trace of Arab architecture. Of this 13th-century edifice, only parts of the western façade, the vaults of several chapels, the load-bearing walls, the tower of Santa Barbara, the bell tower and the cloister remain. It was consecrated on in 1534, and has a single, cross-vaulted nave, without transept and dome, with chapels located between the buttresses. It is connected by a bridge with the old episcopal palace.
The bell tower, with a massive appearance and a square plan, is typically Romanesque in his simplicity. It stands at a height of 36 metres. The Gothic cloister has a trapezoidal plan and two floors: the lower one dates to the 14th-15th centuries, while the other was added in the late 15th and early 16th centuries. The main façade dates to 1665.
The presbytery was renewed in Renaissance style during the 16th century; the high altar was also added in 1530. The church is decorated by frescoes of Luis Planes.
The church was renovated in 1791-1795 in Neo-classic style, resulting in the nearly total hiding of the Gothic structure. The nave was lengthened, and new altars were added.
The Cathedral museum houses several artworks by local and foreign artists, belonging to the International Gothic, the 15th-century Flemish painting, the 16th-century Valencian school and more recent ones. Artists represented include Jaume Mateu (St. Jerome Altarpiece, c. 1450), Vicente Juan Masip and his son Juan (two 16th-century altarpieces), as well as the Italian Donatello, with an attributed work.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.