Since its origin, in the 12th century, Château de Bourlémont has been transformed and enlarged over the centuries. At the beginning a modest quadrilateral, it was first enlarged in the 13th century with the construction of its imposing round towers. Its two-storey dwelling overlooking the courtyard, its south wing and its chapel were built at the end of the 14th and at the begining of the 15th centuries. In the 19th and 20th centuries, the works turned it into a private residence and a park and gardens were added to transform it into the current estate: the entierty of this natural setting was the work of two great landscape architects, Paul de Lavenne de Choulot and Achille Duchêne.
Throughout its 900 years of history, the castle has belonged to only three families : the Bourlemont, owners from the 12th century until the end of the 14th century, the Anglure until the 18th century (1732) and the d'Alsace family, who bought the estate in 1770, after it was abondoned for almost 40 years.
The chapel the chateau is dedicated to Saint Vincent. Built in the 15th century and then rebuilt in the 16th century, it has a rich religious heritage, including an altar dating from the Middle Ages, a remarkable sepulchre from the 16th century and a statuary that shows the 16th century Lorraine religious art. In this chapel are kept the funerary monuments of the Anglure and d'Alsace families, whose descendants have been buried there since 1770.
The outdoor landscaped park was built in the nineteenth century and houses a greenhouse. It is available during Heritage Days. The interiors of the castle, still privately owned, however, are not open.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.