Since its origin, in the 12th century, Château de Bourlémont has been transformed and enlarged over the centuries. At the beginning a modest quadrilateral, it was first enlarged in the 13th century with the construction of its imposing round towers. Its two-storey dwelling overlooking the courtyard, its south wing and its chapel were built at the end of the 14th and at the begining of the 15th centuries. In the 19th and 20th centuries, the works turned it into a private residence and a park and gardens were added to transform it into the current estate: the entierty of this natural setting was the work of two great landscape architects, Paul de Lavenne de Choulot and Achille Duchêne.
Throughout its 900 years of history, the castle has belonged to only three families : the Bourlemont, owners from the 12th century until the end of the 14th century, the Anglure until the 18th century (1732) and the d'Alsace family, who bought the estate in 1770, after it was abondoned for almost 40 years.
The chapel the chateau is dedicated to Saint Vincent. Built in the 15th century and then rebuilt in the 16th century, it has a rich religious heritage, including an altar dating from the Middle Ages, a remarkable sepulchre from the 16th century and a statuary that shows the 16th century Lorraine religious art. In this chapel are kept the funerary monuments of the Anglure and d'Alsace families, whose descendants have been buried there since 1770.
The outdoor landscaped park was built in the nineteenth century and houses a greenhouse. It is available during Heritage Days. The interiors of the castle, still privately owned, however, are not open.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.