Toul Cathedral is a classic example of late Gothic architecture in the Flamboyant style. The cathedral has one of the biggest cloisters in France.
The towers of the facade measuring 65 meters high, the nave, 100 m long and a vault height of 30 meters and a transept 56 meters wide. Despite construction over more than three centuries, the building's facade has a homogeneity of style. The 13th century saw the construction of the choir, the transept, the last section of the nave and the first row of the gallery of the cloisters.
A remarkable element is the transept which embraces larges windows over nearly the entire height of the transept wall. This glass wall effect is later seen in the western facade of the Cathedral of Metz a century later and also in the reconstruction of the transept of the Basilica of St. Vincent de Metz. The four bays of the nave were built in the 14th century,
In the 15th century the magnificent Gothic façade and the first two bays of the nave were built. In the 16th century two Renaissance chapels were added to the front of the north and south aisles of the nave. The Chapel of All Saints, became the burial of Jean Forget, chaplain and cantor of the chapter of canons. The Chapel of Bishops with its flat coffered roof, supported by simple low arches - has been closed for fifty years, awaiting restoration.
During the French Revolution the sculpted figures of the facade were destroyed. A bombing during the Second World War destroyed the roof and the organ. A major restoration campaign began in the 1980s.
Generally the cathedral is a synthesis of the influence of the Verdun Cathedral choir for the design of crypt and flanked by towers and facade of Reims.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.