Morimond Abbey was the fourth of the four great daughter abbeys of Cîteaux Abbey, of primary importance in the spread of the Cistercian Order. Morimond was founded in 1115 by Count Odelric of Aigremont and his wife Adeline of Choiseul and settled from Citeaux. The first abbot was Arnold the German. Thanks to his energy and influence, Morimond grew very rapidly, and established numerous colonies in France, Germany, Poland, Bohemia, Spain, and Cyprus.
Over the next two centuries Morimond continued to be active in the foundation of new Cistercian houses, so much so that towards the end of the 18th century, Morimond counted amongst its filiations nearly seven hundred monasteries and nunneries.
The cruciform abbey church with three aisles and closed choir, the sides of which are occupied by chapels linked by a gangway, was built to be restrained and severe, according to the Cistercian building prescriptions, without towers or artistic adornment. In 1572, during the Wars of Religion, and again in 1636 in the Thirty Years' War, Morimond was destroyed; it was abandoned in 1791 in the French Revolution. Only the church survived, but fell into ruin during the 19th century.
Today, of the medieval structures, only a fragment of the north aisle is still standing, although there remain from the 18th century the gateway, the library and some pavilions and arcades.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.