Lembeck is a moated castle located in the Hohe Mark Nature Park and surrounded by the 'Hagen' and 'Kippheide' forests to the south of the Dorsten district of Lembeck in the northwest of the Recklinghausen region.
The Lembeck meadow stream has been dammed on the castle grounds to form a rectangular pond that spans an area of 190 × 160 meters, encircling the entire complex. The Baroque palace complex exhibits a symmetrical structure, defined by a rectilinear east-west axis that extends for a length of 500 meters. The axis begins with a 200-meter-long avenue from the east that leads to the former three-winged outer bailey.
The outer bailey comprises two wings and a one-story façade 110 meters wide, interrupted by a two-story gatehouse made of ashlar sandstone. Access to the outer bailey is granted through two consecutive bridges. It is currently covered with a basic mansard roof. Above the gateway is a keystone displaying the coats of arms of Dietrich Conrad Adolf von Westerholt zu Lembeck and his wife Marie Theodora von Waldbott-Bassenheim-Gudenau, along with the year 1692, signifying the completion of the outer castle rebuilding.
At its ends, the southern wing of the outer bailey is bordered by single-story corner towers adorned with Welsh hoods and imperial shaft ends. These towers feature keyholes in the basement. Additionally, the southeast tower, as well as the towers situated to the left and right of the gatehouse, also possess embrasures.
Access to the three-story manor house is through the outer courtyard and across a stone-arched bridge. Although initially intended as a three-winged structure, it is believed that financial constraints led to its execution as a two-winged building. Notably, the manor house was originally decorated with a plaster finish featuring incised ashlars, rather than painted ashlars as previously assumed.
The east wing, consisting of two pavilion towers, measures 94 meters in length and was fully finished in 1679. On the other hand, the earlier northern wing was incorporated into the reconstruction efforts between 1674 and 1679.
The sandstone portal above the entrance is a more intricate design than the outer castle. Its elevation, reaching up to the base of the roof, gives it the appearance of a central risalit. The portal showcases the coat of arms representing the alliance between Burchardt von Westerholt zu Lembeck and his wife Clara von der Recke. Behind the portal is a passage inspired by Italian Renaissance and Mannerism architecture. Similar passage halls can be found in renowned structures such as the Palazzo Pitti and Palazzo Strozzi in Florence, as well as the Palazzo Farnese in Rome. This design element allowed arriving guests to enter the building without getting wet during rainy weather, while their carriages were either turned or parked in the courtyard.
On the side facing the inner courtyard, the façade of the mansion features a Renaissance bay window supported by double curved sandstone consoles. The front of the bay window is divided by six windows, and some of these windows bear marked glass panes with dates, providing insights into the construction period of the building. The latest date found on the glass panes is 1677, offering a valuable clue regarding its historical timeline.
To the west, a wooden bridge connects the mansion island to the park. The brick bridge piers are adorned with yellowish Baumberg sandstone and crowned by putti holding coats of arms. These piers, designed by Johann Conrad Schlaun in 1728, were built after 1730. The putties are depicted holding the coats of arms belonging to Ferdinand von Merveldt and Maria von Westerholt-Lembeck.[6]
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.