The first masonry castle in Dubingiai was constructed by Vytautas, Grand Duke of Lithuania, in 1412-1413 on an island, now apeninsula, in Lake Asveja in order to secure the capital Vilnius from attacks from Livonia. No accounts concerning the architecture of Vytautas' castle have survived. It was acquired by Jerzy Radziwiłł prior to 1508. He constructed a new palace in the Renaissance style in the first half of the 16th century. After the death of Jerzy, his son Mikolaj 'the Red' inherited the property, causing the town nearby to become an important hub for the Reformation in Lithuania. Barbara Radziwiłł spent five months in the castle after her marriage to Sigismund Augustus in 1547. The palace used to be one of the most luxurious residences in the Duchy, lagging not much behind the Royal Palace. Dubingiai Castle was the main seat of the Biržai-Dubingiai line of the Radziwiłł family until the second half of the 17th century, when it was transferred to Biržai Castle.
During the Polish–Swedish wars, the castle was pillaged by armies loyal to the King of Poland and was confiscated fromBogusław Radziwiłł. It returned to the family in the second half of the 17th century. The neglected castle and church gradually fell into ruins. It was sold to Michał Tyszkiewicz in 1808. Today only the foundations and several cellars of the castle and church remain and are being researched.
The masonry Calvinist Church of the Holy Spirit was built in the Renaissance style near the castle by Janusz Radziwiłłprior to 1620 and was intended to be the mausoleum of the Radziwiłł family. The most prominent members of the family were interred there, including Mikołaj 'the Black' Radziwiłł (1565) and his wife Elżbieta Szydłowiecka (1562), Mikołaj 'the Red' Radziwiłł (1584) and Janusz Radziwiłł (1620). Their remains were discovered during archaeologicalexcavations in 2004 and reburied there in 2009.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.