Klaipėda Castle, also known as Memelburg or Memel Castle, is an archeological site and museum housed in a castle built by the Teutonic Knights. The castle was first mentioned in written sources in 1252, and underwent numerous destructions and reconstructions in the centuries that followed.
The Christian Teutonic Order had been waging an ongoing war against the Prussians during the 13th century; in order to entrench their gains, the Teutons built a number of castles in the area. One such castle was planned for a location between the Nemunas and Dangėrivers. A written account of this plan is dated to 1252, when a Grand Master of the Teutons, represented by Eberhard von Seyne, made an agreement with the Curonian bishop to build this fortification. In the same year the Christians constructed the castle and named it Memelburg. The new castle was wooden, protected by a tower, and was in a marshy area. It is likely that this first castle was located on the left bank of the Danė river. It soon became a prime outpost in the war between the Christian Orders and the pagan Lithuanians allied with the Samogitians.
Probably because the low-lying area in which the first castle was built presented problems, a new stone castle was erected on the right bank of the Danė river in 1253. The new castle contained an enclosure; currently it is unknown whether it had any defensive tower. In 1379 the castle was destroyed in an attack by the Samogitians and Lithuanians. This destruction was followed by reconstruction; in 1393 a major defensive tower was erected, which was, however, destroyed by the Lithuanians in the same year. Continued expansions and renovations of the castle were systematically pursued until the 15th century. In 1408 and 1409 Grand Master Ulrich von Jungingenarrived with additional military engineers, and the castle's upgrade was completed soon afterwards in 1409. After the Teutonic Order lost the key Battle of Grunwald in 1410, the castle's military importance was sustained, as Lithuanian rulers regarded these territories as part of their patrimony. In the mid-15th century the castle was again upgraded to withstand assaults using firearms.
As the technologies used in warfare continued to evolve, the castle was rebuilt several times. During the 16th century it was upgraded into a bastion, becoming one of the first such fortifications in the region. Between 1529 and 1559 the castle underwent an upgrade by French engineers. After its reconstruction the castle had five towers associated with the main building. The main tower probably had six floors and was about 15 meters in diameter. In 1629 the castle was devastated by Swedish attacks; it later suffered major fire damage. In 1757 the castle sustained severe damage during a war with Russia. The last known reconstruction of the castle was done in 1763.
During the late 18th century the castle lost its military importance and fell into disrepair. It was partially dismantled and its parts and materials were sold by local authorities. Between 1872 and 1874 the last remaining buildings were demolished.
A museum was opened at the castle in 2002 The museum is located in the Prince Fredric chamber under the bastion, where artillery was stored in the 17th century. Visitors may familiarize themselves with the excavated findings, view the authentic remaining sections of the castle, and follow its historical development. The castle's site has since become one of Klaipėda's most popular tourist attractions. The annual Klaipėda Castle Jazz Festival is held on the grounds.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.