Until the end of 14th century Verkiai was a property of the Grand Dukes of Lithuania. There was a wooden manor even in 13th century. In 1387 Lithuanian Grand Duke Jogaila, on occasion of accepting Christianity, donated this place to Vilnius' Episcopate. Verkiai served as the permanent summer residence of Vilnius bishops until the end of 18th century.
Verkiai Palace became widely known after bishop Ignacy Jakub Massalski took over it in 1780. He hired two famous architects, Marcin Knackfus and Laurynas Gucevičius, to rebuild the palace in theNeoclassical style. The general plan and maintenance buildings were designed by Marcin Knackfus. The main palace building, the stables and several other buildings were designed by Gucevičius. The building was called 'the Versailles of Vilnius'. The palace had a little theatre, large library, and a small gun museum and was surrounded by a park.
The palace was severely damaged during the Napoleon's invasion of Russia. Eventually, the central building of the palace was pulled down on the order of a new owner, prince Ludwig Wittgenstein, who bought Verkiai in 1839. He also ordered restructuring the other buildings and the east wing office house assumed the role of the palace since the 1840s. It is attested that the first knownphotographs in present-day Lithuania were taken there in 1839, when Karol Podczaszyński made adaguerreotype of the palace which was intended to be rebuilt. The images have not survived.
After World War II, the remaining palace buildings were used as educational institutions and an art museum. Since 1960 the ensemble belongs to the Lithuanian Academy of Sciences Institute of Botany. Verkiai Palace complex is an important cultural and historical landmark in Verkiai Regional Park.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.