Anykščiai was first mentioned in written sources in 1442. The first church built before 1500 was a wooden structure. Following the construction of the Catholic Church, the town was mentioned as a city with Magdeburg rights in 1516. The church was destroyed by fire in 1566 and 1671, but quickly rebuilt. The decaying wooden structure was replaced by a brick church, built in 1765. An accompanying white four-storey bell towerwas completed in 1823.
Following the construction of the narrow gauge railway line between Panevėžys andŠvenčionėliai in the 19th century, the parish was re-developed and the church was re-built over a ten-year period between 1899 and 1909. The original spires were 84 metres in height, but they were purposefully destroyed during World War I. The falling towers also damaged the roof; the interior, including the main altar and portions of the archives, was devastated by a fire in 1928. This prompted reconstruction of the church. The spires were rebuilt, but their height was lowered by 5 metres.
The present church building consists of twin towers, both of which are 79 metres in height. The building was built in red bricks in the Neo-Gothic architectural style. The floor plan follows the basic principles of cathedral architecture: it has two aisles and groin vaults. The church façade has stained glass windows which were installed between 1971–1986, credited to Marija Mackelaitė. Artistically decorated altars and the pulpitsare seen inside the church. A statue of St Matthew is installed behind the large cross in the main altar. Inside the church, apart many elegant altars there are also statues and paintings. The church also has a large organ which was bought in 1998 from Baptist Church of St. Lawrence, Southampton. Rimas Idzelis, an amateur artist, installedStations of the Cross on the churchyard fence in 1982–1988. The church is surrounded by a park. In 1993 a monument was built for the Lithuanian poet and bishop Antanas Baranauskas (1835–1902), native of Anykščiai and author of the famous poem Anykščių šilelis (The Grove of Anykščiai). Sculptor Arūnas Sakalauskas and architect Ričardas Krištapavičius were awarded the Lithuanian National Prize for the monument in 1994.
Juozapas Čepėnas (1880–1976) was pastor of Anykščiai from 1938 to 1945. During that time he protested the Holocaust and Nazi occupation of Lithuania. Monsignor Albertas Talačka (1921–1999), former pastor of Anykščiai Church, bequeathed his private library of over 4,000 books and art collection to the town and parish of Anykščiai. The art collection is on permanent displayed of Center of Sacral Art in Anykščiai.
There is also a legend related to the Puntukas stone, a famous stone in Lithuania. According to this legend, the devil wanted to destroy the church by dropping a heavy stone on it. However, early crowing of a rooster prevented this happening and the stone fell away from the church. It is now a visitor attraction.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.