The palace and park at Gatchina dates back to the time of Empress Catherine II. In 1765, the tsarina gave her favourite, Count Grigory Orlov, a lavish gift – the Gatchina estate. The picturesque landscape, spring-fed lakes with connecting tributaries and rivers made it possible to create here the unique landscape park with the palace of remarkable architecture as its focal point.
The design for the palace was developed by the Italian architect Antonio Rinaldi and the construction began in 1766. According to the contemporary records, the Empress and her suite visited Gatchina several times to inspect the construction. The building works were completed by 1781. The palace that emerged as a result looked like an Italian palazzo with facades faced with natural stone, Pudost limestone. The three-storied Central building with flanking pentagonal towers is connected with semicircular galleries to the one-storied service wings, rectangular in plan with inner courtyards. Along with the palace, an English landscape park was laid out, among the first of the kind in Russia.
The brilliant nobleman Grigory Orlov was not destined to live in the new estate as he died in early 1783. The empress Catherine II bought back the estate from the count’s heirs and on August 6 of the same year presented it to her son, the Grand Duke Paul Petrovich. Shortly thereafter Gatchina was to become his favourite residence. The palace was altered somewhat under the architect Vincenzo Brenna. In keeping with the pace of fashions, the state rooms were remodelled, formal gardens, park pavilions, stone gates and bridges emerged. Following the ascension of Paul I to the throne in 1796, Gatchina became the imperial residence that the contemporaries referred to as an impregnable fortress with surrounding ramparts, moats, sentry boxes and barriers. The Emperor Paul I was assassinated in a coup at the Mikhailovsky Castle on March 12, 1801. After his death the Dowager empress Maria Feodorvna came to own the Gatchina estate. On January 21, 1827, she bequeathed the Gatchina estate with the adjacent lands “for permanent ownership” to the Emperor Nicholas I and his line of male hairs.
In the reign of Nicholas I, the Palace underwent a major reconstruction and acquired its present-day look. The Kitchen and Arsenal Wings were dismantled completely and then erected anew as they did not meet modern criteria of comfort. In keeping with the fashion of the time, the Arsenal Wing was designed to accommodate both the private and state rooms for the Imperial family. In the Kitchen Wing, the chapel was completely rebuilt. To keep the memory of Paul I, his private rooms and the 18th-century state apartments in the Central building were carefully preserved, although it did undergo some alterations, namely, heating was replaced, parquet floors repaired, new pieces of furniture, sculptures and drapery were introduced in some of the halls. All the stages of reconstruction were carried out under the direction of the architect R.I.Kuzmin from 1844-1856.
Nicholas I and his son Alexander II seldom visited Gatchina. They came here mostly to attend balls, receptions for crowned heads and important noblemen, or to participate in imperial hunts. The Emperor Alexander II was mortally wounded on the Catherine embankment (now Griboedov canal) on March 1, 1881. He was succeeded by his son, Alexander III, who chose Gatchina as his principal residence. On March 27, the tsar’s family moved to the Gatchina Palace, which remained their beloved home for many years. In May 1917, the Provisional Government issued a decree on the establishment of artistic and historical commissions in the towns of Peterhof, Tsarskoye Selo and Gatchina for the purpose of “acquisition, recording and inventorying the movable and immovable property of the former palaces”. One year later, on May 19, 1918, the Gatchina Palace opened to the public. The Palace and its parks suffered significant damage during World War II. Restoration work began as late as 1976. The first 18th-century state rooms were opened to the public in 1985, including the Anteroom, the Marble Dining Room, Paul’s Throne Room and the exhibition installed on the second floor of the Central Building.
References:Monte d"Accoddi is a Neolithic archaeological site in northern Sardinia, located in the territory of Sassari. The site consists of a massive raised stone platform thought to have been an altar. It was constructed by the Ozieri culture or earlier, with the oldest parts dated to around 4,000–3,650 BC.
The site was discovered in 1954 in a field owned by the Segni family. No chambers or entrances to the mound have been found, leading to the presumption it was an altar, a temple or a step pyramid. It may have also served an observational function, as its square plan is coordinated with the cardinal points of the compass.
The initial Ozieri structure was abandoned or destroyed around 3000 BC, with traces of fire found in the archeological evidence. Around 2800 BC the remains of the original structure were completely covered with a layered mixture of earth and stone, and large blocks of limestone were then applied to establish a second platform, truncated by a step pyramid (36 m × 29 m, about 10 m in height), accessible by means of a second ramp, 42 m long, built over the older one. This second temple resembles contemporary Mesopotamian ziggurats, and is attributed to the Abealzu-Filigosa culture.
Archeological excavations from the chalcolithic Abealzu-Filigosa layers indicate the Monte d"Accoddi was used for animal sacrifice, with the remains of sheep, cattle, and swine recovered in near equal proportions. It is among the earliest known sacrificial sites in Western Europe.
The site appears to have been abandoned again around 1800 BC, at the onset of the Nuragic age.
The monument was partially reconstructed during the 1980s. It is open to the public and accessible by the old route of SS131 highway, near the hamlet of Ottava. It is 14,9 km from Sassari and 45 km from Alghero. There is no public transportation to the site. The opening times vary throughout the year.