The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.References:
Czocha Castle is located on the Lake Leśnia, what is now the Polish part of Upper Lusatia. Czocha castle was built on gneiss rock, and its oldest part is the keep, to which housing structures were later added.
Czocha Castle began as a stronghold, on the Czech-Lusatian border. Its construction was ordered by Wenceslaus I of Bohemia, in the middle of the 13th century (1241–1247). In 1253 castle was handed over to Konrad von Wallhausen, Bishop of Meissen. In 1319 the complex became part of the dukedom of Henry I of Jawor, and after his death, it was taken over by another Silesian prince, Bolko II the Small, and his wife Agnieszka. Origin of the stone castle dates back to 1329.
In the mid-14th century, Czocha Castle was annexed by Charles IV, Holy Roman Emperor and King of Bohemia. Then, between 1389 and 1453, it belonged to the noble families of von Dohn and von Kluks. Reinforced, the complex was besieged by the Hussites in the early 15th century, who captured it in 1427, and remained in the castle for unknown time (see Hussite Wars). In 1453, the castle was purchased by the family of von Nostitz, who owned it for 250 years, making several changes through remodelling projects in 1525 and 1611. Czocha's walls were strengthened and reinforced, which thwarted a Swedish siege of the complex during the Thirty Years War. In 1703, the castle was purchased by Jan Hartwig von Uechtritz, influential courtier of Augustus II the Strong. On August 17, 1793, the whole complex burned in a fire.
In 1909, Czocha was bought by a cigar manufacturer from Dresden, Ernst Gutschow, who ordered major remodelling, carried out by Berlin architect Bodo Ebhardt, based on a 1703 painting of the castle. Gutschow, who was close to the Russian Imperial Court and hosted several White emigres in Czocha, lived in the castle until March 1945. Upon leaving, he packed up the most valuable possessions and moved them out.
After World War II, the castle was ransacked several times, both by soldiers of the Red Army, and Polish thieves, who came to the so-called Recovered Territories from central and eastern part of the country. Pieces of furniture and other goods were stolen, and in the late 1940s and early 1950s, the castle was home to refugees from Greece. In 1952, Czocha was taken over by the Polish Army. Used as a military vacation resort, it was erased from official maps. The castle has been open to the public since September 1996 as a hotel and conference centre. The complex was featured in several movies and television series. Recently, the castle has been used as the setting of the College of Wizardry, a live action role-playing game (LARP) that takes place in their own universe and can be compared to Harry Potter.