Fredrikskyrkan (translation, 'Frederick's Church') construction began in 1720 as a replacement for the city's temporary wooden church, Hedvig Eleonora Church. The church was consecrated in 1744. Fredrikskyrkan was built in the baroque style after a design by Nicodemus Tessin the Younger. Though Crown Prince Adolf Frederick was present for the event, the building was named in honor of Frederick I. The spires atop the church towers were completed in 1758. There has been several restorations. The one in 1805-06 was led by architect Olof Tempelman. Interior restorations occurred in 1913-15 under Axel Lindegren, and there was another in 1967-68.
Fredrikskyrkan's towers are a notable feature. The carillon is housed in the south tower, and there are 35 bells, which were installed in 1967 by the Bergenholtz bell foundry in Sigtuna. The clock chimes three times a day.
The 1854 pulpit is in a neoclassical style by the design of architect Johan Adolf Hawerman; it predates the altar. The carved wood baptismal font was donated by the ship builder Gilbert Sheldon. The church silver is preserved in a massive safe.
The church's first organ came from Hedvig Eleonora Church. When a decision was made to purchase a larger and more suitable organ,Lars Wahlberg received the contract to build an organ with 29 stops, 2 manuals and a pedal. When it was finished in 1764, he had inserted the 34 voices that are driven by six large bellows. Wahlberg's organ was replaced in 1905 by one built by Åkerman & Lund Orgelbyggeri in Stockholm; it was reconstructed in 1982-87 by Grönlunds Orgelbyggeri.
Situated on Stortorget, the main square in the city centre, Fredrikskyrkan is included within the Karlskrona UNESCO World Heritage Site.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.