Fredrikskyrkan (translation, 'Frederick's Church') construction began in 1720 as a replacement for the city's temporary wooden church, Hedvig Eleonora Church. The church was consecrated in 1744. Fredrikskyrkan was built in the baroque style after a design by Nicodemus Tessin the Younger. Though Crown Prince Adolf Frederick was present for the event, the building was named in honor of Frederick I. The spires atop the church towers were completed in 1758. There has been several restorations. The one in 1805-06 was led by architect Olof Tempelman. Interior restorations occurred in 1913-15 under Axel Lindegren, and there was another in 1967-68.
Fredrikskyrkan's towers are a notable feature. The carillon is housed in the south tower, and there are 35 bells, which were installed in 1967 by the Bergenholtz bell foundry in Sigtuna. The clock chimes three times a day.
The 1854 pulpit is in a neoclassical style by the design of architect Johan Adolf Hawerman; it predates the altar. The carved wood baptismal font was donated by the ship builder Gilbert Sheldon. The church silver is preserved in a massive safe.
The church's first organ came from Hedvig Eleonora Church. When a decision was made to purchase a larger and more suitable organ,Lars Wahlberg received the contract to build an organ with 29 stops, 2 manuals and a pedal. When it was finished in 1764, he had inserted the 34 voices that are driven by six large bellows. Wahlberg's organ was replaced in 1905 by one built by Åkerman & Lund Orgelbyggeri in Stockholm; it was reconstructed in 1982-87 by Grönlunds Orgelbyggeri.
Situated on Stortorget, the main square in the city centre, Fredrikskyrkan is included within the Karlskrona UNESCO World Heritage Site.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.