The first Gråsten Palace was a small hunting lodge built in the middle of the 1500s. After it burned down in 1603, a new palace was built approximately where the south wing of the current palace is located. Chancellor Count Frederik Ahlefeldt, who was the owner of Gråsten Palace from 1662-1682, and his son built a huge baroque palace shortly before the beginning of the 1700’s. It, too, burned down in 1757. Only the palace chapel and a few pavilions remained. The current palace thus dates back to 1759, when a new south wing was built, and to 1842, when the central building was added. At the beginning of the last century, considerable renovations were made.
The Augustenborg family owned Gråsten Palace from 1725 to 1852, when it was acquired by Frederik VII. After 1864, the palace was again occupied by the Augustenborg family. In 1920, the Danish state acquired Gråsten Palace, and for a period it was used as a court house, housing for judges and police chiefs, and a library. In 1935, after an extensive restoration, Gråsten Palace was handed over to be the summer residence for the then-Crown Prince Couple (later King Frederik IX and Queen Ingrid).
King Frederik and Queen Ingrid spent the summers at Gråsten Palace. After Queen Ingrid’s death, the palace passed to HM The Queen, who continues the tradition of using it during the summer.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.