The Old Church of Ytterlännäs dates from the early 13th century, retaining the original walls and the Romanesque outer door with its iron ornament around the keyhole, and a lion's head from c. 800 from the area of Byzantine cultural influence around Constantinople.
In the 15th century a vestry and a 'weapon-house' (porch) were added, the choir was extended to make it as wide as the rest of the church, the roof was raised with vaults of brick, the windows enlarged, the Maria-bell was cast, and there is a candle-holder featuring a cock and a spiral central pillar. In the vaults and on the walls there are well-preserved frescos from the late 15th century, featuring a variety of biblical references and the legends of saints. It also includes an inscription interpreted by the art historian Henrik Cornell in 1918 as spelling maalede Eghil, 'painted by Eghil'. This was re-interpreted by Einar Bager in a 1969 publication as simply the incipit of the alphabet; the anonymous painter, who belonged to the Tierp school, is now known as Alfabetsmästaren, the Alphabet Master.
From the 14th century there is a marble baptismal font from Gotland, and a crucifix. An altarpiece in the Lübeck style has been displayed in several positions. The Ytterlännäs Madonna from Haaken Gulleson's Hälsingland workshop features both the coat of arms of the archdiocese, to which the church belonged at the time, and the personal arms (the claw of an eagle) of Archbishop Jakob Ulfsson, and is presumably a donation made on the occasion of his visit in 1507. From the 17th century there are pews, a wooden floor with broad planks and one panel of a pulpit; the first of the galleries' three sections is dated 1652.
In the 18th century a rare second gallery was added, as well as a new pulpit and a new altarpiece featuring a sculpture of the Last Supper with 1+13 round the table. Under protest the paintings of saints on the wall, the saints images in the ceilings and the other decoration was not touched. In 1773 the separate bell-tower burned down and was replaced by mounting the bells above the church itself, under a broken roof.
In the mid-19th century a larger church was needed to house the growing population, and it was decided to re-use the stones from the old church to build a new: but in an impassioned and rhetorical speech, magistrate Carl Martin Schönmeyer, the owner of the estateAngsta gård, managed to turn the decision in favour of leaving the old church untouched. It was abandoned and the Maria-bell was used at the smaller of two bells in the new church.References:
Hluboká Castle (Schloss Frauenberg) is considered one of the most beautiful castles in the Czech Republic. In the second half of the 13th century, a Gothic castle was built at the site. During its history, the castle was rebuilt several times. It was first expanded during the Renaissance period, then rebuilt into a Baroque castle at the order of Adam Franz von Schwarzenberg in the beginning of the 18th century. It reached its current appearance during the 19th century, when Johann Adolf II von Schwarzenberg ordered the reconstruction of the castle in the romantic style of England's Windsor Castle.
The Schwarzenbergs lived in Hluboká until the end of 1939, when the last owner (Adolph Schwarzenberg) emigrated overseas to escape from the Nazis. The Schwarzenbergs lost all of their Czech property through a special legislative Act, the Lex Schwarzenberg, in 1947.
The original royal castle of Přemysl Otakar II from the second half of the 13th century was rebuilt at the end of the 16th century by the Lords of Hradec. It received its present appearance under Count Jan Adam of Schwarzenberg. According to the English Windsor example, architects Franz Beer and F. Deworetzky built a Romantic Neo-Gothic chateau, surrounded by a 1.9 square kilometres English park here in the years 1841 to 1871. In 1940, the castle was seized from the last owner, Adolph Schwarzenberg by the Gestapo and confiscated by the government of Czechoslovakia after the end of World War II. The castle is open to public. There is a winter garden and riding-hall where the Southern Bohemian gallery exhibitions have been housed since 1956.