Damsholte Church is the only village church in the country built in the Rococo style. It is considered to be one of Denmark's finest Rococo buildings. The church is unusual parish church. At the beginning of the 18th century, the population of Damsholte and its surroundings had grown so much that there was a real need for a local church. That, at any rate, was the opinion of Provost Jæger in nearby Stege. It is said that at a sumptuous reception in honour of a royal visit by Christian VI, he convinced the king that Damsholte should become a parish in its own right. There is no historical record of the incident but, in any event, in 1740 there was a royal decree that the western part of Stege parish should be separated off.
The king contributed 3,000 rigsdaler to the cost of building the church. Each of the other churches on Møn contributed 1,000 rigsdaler while all the other churches in Denmark contributed 1 rigsdaler each.
Designed by Philip de Lange, one of the most prominent architects of the day, the church was completed in 1743. A finely proportioned Rococo church thus came into being in the midst of West Møn's pleasant rolling farmland, the only one of its kind in a Danish village.
The church consists of a rectangular nave with two pentagonal extensions to east and west. White pilasters decorate each of the corners. Christian VI's monogram can be seen in the triangular gables topping the outer walls of the nave. The west door and all the windows have rounded arches. The red-tiled roof is divided into three main sections covering the nave and the extensions. At the western end of the building, it is crowned with an octagonal lantern and onion spire. The bright, yellow-tinted exterior with its onion spire is impressive enough. But those entering the double doors and proceeding through the small inner porch are struck by the rather sombre, well-ordered interior with its pious restraint and dominant altarpiece. Monumental pillars supporting the gallery stretch down either side of the nave to the lofty altar with its integrated pulpit, set high above the triptych. All built of wood, they are painted in subdued tones of grey.
The austerity of Lutheran pietism is ubiquitous. A modern triptych of Jesus' crucifixion with the two robbers on either side decorates the altar. It was completed in 1993 by Sven Havsteen-Mikkelsen. On the northern wall, there is a picture of Christ by Eckersberg (1825) while a recently restored figure of Christ occupies a small niche. To one side, a memorial plaque honours those who fell in the war of 1864. On the south wall, there is a picture of the resurrection by Niels Skovgaard together with a portrait of Damsholte's first pastor, Rasmus Platou. Hanging in the nave, a faithful copy of the warship Prince Christian commemorates the part it played in theBattle of Zealand Point in March 1808. The two brass candlesticks on the altar were donated at the church's consecration. The wrought iron altar rails display the monograms of Christian VI and Sophia Magdalen. The font, surprisingly enough, is made of wood complete with wooden cover.
In the churchyard, there is a burial mound for the Tutein family which, for a time, lived in Marienborg Manor which stands behind it. To the north óf the church, a burial vault houses the remains of Antoine de la Calmette, who was governor of Møn and Nykøbing, and his wife Lisa Iselin, for whom he createdLiselund, a park adjacent to Møns Klint at the eastern end of the island.References:
The Baths of Caracalla were the second largest Roman public baths, or thermae, in Rome. It was built between AD 212 and 217, during the reigns of Septimius Severus and Caracalla. They would have had to install over 2,000t of material every day for six years in order to complete it in this time.
The baths remained in use until the 6th century when the complex was taken by the Ostrogoths during the Gothic War, at which time the hydraulic installations were destroyed. The bath was free and open to the public. The earthquake of 847 destroyed much of the building, along with many other Roman structures.
The building was heated by a hypocaust, a system of burning coal and wood underneath the ground to heat water provided by a dedicated aqueduct. It was in use up to the 19th century. The Aqua Antoniniana aqueduct, a branch of the earlier Aqua Marcia, by Caracalla was specifically built to serve the baths. It was most likely reconstructed by Garbrecht and Manderscheid to its current place.
In the 19th and early 20th century, the design of the baths was used as the inspiration for several modern structures, including St George's Hall in Liverpool and the original Pennsylvania Station in New York City. At the 1960 Summer Olympics, the venue hosted the gymnastics events.