Vallø traces its history back to the 14th century. From 1554 to 1651 it was divided into two separate estates, West Vallø and East Vallø. In 1708 Vallø was acquired by King Frederick IV who passed it on to Anne Sophie Reventlow. In 1731 King Christian VI passed the property on to Queen Sophia Magdalene who in 1737 founded the Noble Vallø Foundation for unmarried daughters.
Vallø consists of four wings with robust towers and is surrounded by a moat. The south wing, with its robust corner towers, and the south end of the west wing were built from 1580 to 1586 by Mette Rosenkrantz, one of the richest women in Denmark of her day. In Christen Skeel's time of ownership, from 1638 to 1659, the castle was expanded to three storeys and the west wing extended. The north wing was built by Johan Cornelius Krieger in 1721. A three-winged building designed by Lauritz de Thurah was built in the courtyard from 1735 to 1738. The surviving central wing expanded with an extra storey by Georg David Anthon in 1765. The castle was devastated by fire in 1893 but restored largely to its old design by Hans Jørgen Holm between 1893 and 1904.
The park was turned into a Romantic landscape garden in 1830 but retains elements from the former French gardens from the 1720s. I large flower park was founded in 1960 but it has later been disbanded. Next to castle and its park there is a cluster of historic houses arranged around a street known as Vallø Castle Street (Vallø Slotsgade). Vallø Castle Inn received a royal privilege in 1784. The estate also owns a variety of other houses spread out across the surrounding countryside.
The estate is still owned by the Vallø Foundation (da. Vallø Stift) and covers 4,109 hectares of land of which 1,860 hectares are woodlands. Apart from agriculture and forestry, the revenues derive from house rental, the inn, a campground located close to Køge, and hiring-out of hunting areas. The castle still provides housing for women of the Danish nobility but since 1976 admission to the residences is not restricted to unmarried women but now also cover widows and divorced women.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.