The Château de Goulaine has been home to the family of the marquis de Goulaine for over a thousand years. Château de Goulaine is also the estate-bottled wine produced at the château. In the 12th century, when the Duchy of Brittany was independent, the first Goulaine, Jean de Goulaine, then captain of the city of Nantes, fortified the estate, which is still surrounded by marshes, to defend against attacks from Normans. The Goulaine were of the old nobility, recorded in the Seventh Crusade (1248). During the Wars of Religion, the Goulaine fought for the Catholic League: Gabriel, sieur de Goulaine, at the head of fifty lancers, and his brother Jean, baron du Faouët, took the châteaux of Trogoff (Plouescat) and of Kérouzéré (Sibiril) in 1590. Gabriel was attached to the Bourbon cause in being made a marquis by Henry IV of France. The Goulaine family ownership of the estate continued uninterrupted until 1788 when it was sold to a Dutch banker. This circumstance helped save the château from destruction during the French Revolution. In 1858, a member of the Goulaine family reacquired the estate and maintains it today.
While it is not clear exactly when the estate vineyard started producing wine for commercial use, rather than just family consumption, the millennium during which the estate of Château de Goulaine has been producing wine makes it the oldest known wine business still in existence; It is believed to be the third oldest commercial enterprise in the world. It is considered the oldest European family owned business. The castle estate is one of the last Châteaux de la Loire to still be producing wine.
Today the style of the château, under its high pitched slate roofs bears some comparison to the central Loire estates of Château de Blois and Château de Chambord, though Château de Goulaine was built much earlier and in a more conservative style.
Since 1984, hundreds of tropical butterflies are showcased in an aviary, flying freely among tropical plants. This project was initiated by Marquis Robert de Goulaine (1933-2010) himself.
In the older stables, you can visit the LU Museum. You can see the art and advertising collection of the brand of biscuits. There are 500 works of art (paintings, sculptures). The brand is very important in Nantes because the production of 'le Petit Beurre' biscuits was in the 'quai Baco' in the factories of the family. Today, the brand history is told with their works of art.References:
The Church of Saint Demetrius, or Hagios Demetrios, is the main sanctuary dedicated to Saint Demetrius, the patron saint of Thessaloniki. It is part of the site Palaeochristian and Byzantine Monuments of Thessaloniki on the list of World Heritage Sites by UNESCO since 1988.
The first church on the spot was constructed in the early 4th century AD, replacing a Roman bath. A century later, a prefect named Leontios replaced the small oratory with a larger, three-aisled basilica. Repeatedly gutted by fires, the church eventually was reconstructed as a five-aisled basilica in 629–634. This was the surviving form of the church much as it is today. The most important shrine in the city, it was probably larger than the local cathedral. The historic location of the latter is now unknown.
The church had an unusual shrine called the ciborium, a hexagonal, roofed structure at one side of the nave. It was made of or covered with silver. The structure had doors and inside was a couch or bed. Unusually, it did not hold any physical relics of the saint. The ciborium seems to have been a symbolic tomb. It was rebuilt at least once.
The basilica is famous for six extant mosaic panels, dated to the period between the latest reconstruction and the inauguration of the Byzantine Iconoclasm in 730. These mosaics depict St. Demetrius with officials responsible for the restoration of the church (called the founders, ktetors) and with children. An inscription below one of the images glorifies heaven for saving the people of Thessalonica from a pagan Slavic raid in 615.
Thessaloniki became part of the Ottoman Empire in 1430. About 60 years later, during the reign of Bayezid II, the church was converted into a mosque, known as the Kasımiye Camii after the local Ottoman mayor, Cezeri Kasım Pasha. The symbolic tomb however was kept open for Christian veneration. Other magnificent mosaics, recorded as covering the church interior, were lost either during the four centuries when it functioned as a mosque (1493–1912) or in the Great Thessaloniki Fire of 1917 that destroyed much of the city. It also destroyed the roof and upper walls of the church. Black-and-white photographs and good watercolour versions give an idea of the early Byzantine craftsmanship lost during the fire.
Following the Great Fire of 1917, it took decades to restore the church. Tombstones from the city"s Jewish cemetery - destroyed by the Greek and Nazi German authorities - were used as building materials in these restoration efforts in the 1940s. Archeological excavations conducted in the 1930s and 1940s revealed interesting artifacts that may be seen in a museum situated inside the church"s crypt. The excavations also uncovered the ruins of a Roman bath, where St. Demetrius was said to have been held prisoner and executed. A Roman well was also discovered. Scholars believe this is where soldiers dropped the body of St. Demetrius after his execution. After restoration, the church was reconsecrated in 1949.