Brarup Church is an annex to Kippinge Church as it has been since before the Reformation. There is little information about ownership in the Middle Ages apart from the fact that the Crown had calling rights for the appointment of clergy. In 1585, the church owned factories and land strips on three farms. After the Reformation, the church was owned by the Crown until it was auctioned into private ownership in 1767 but by 1793 had been reacquired by the State. In 1868, it was bought by the citizens of the parish.
The apse, chancel and nave are built of brick in the Late Romanesque style on a double sloping plinth with pilaster strips at the corners and saw-toothed cornices at the top. The apse is divided into three sections with narrow pilaster strips. The bevelled window to the east has been opened up and the two others reconstructed in 1911 when the church was restored. On the south wall, a small, sharply pointed and slightly projecting priest's door can be seen. The south door is still in use but has been significantly transformed. The north door has been bricked up. The tower and porch were added in the Gothic period.
The apse has retained its half-domed vault. The cross vaults in the chancel and the nave's flat ceiling are original. Salt decay is noted on a vault's medieval bricks. The altarpiece, a carved triptych from c. 1450 similar to the one in Vålse Church, depicts the Crucifixion in the centre flanked by the Apostles. The paintings on the back of the lateral panels are of the Virgin Mary, John the Evangelist, St Catherine and John the Baptist. The crucifix on the west wall, 268 cm in height, dates from the beginning of the 14th century. The pulpit (1635) is the work of Jørgen Ringnis, carved in the Auricular style. Similar to that in Nørre Alslev Church, it contains carved figures of Moses, Christ the Savior and John the Baptist. The figures of the four Evangelists, originally in the panels of the pulpit, are now in the apse. Originally in the chancel arch, it was moved to the southeast corner of the church, probably in 1852.
The church has frescos from three periods, those in the apse are from c. 1275, the chancel arch decorations are from c. 1300, attributed to the Kippinge workshop, and those on the walls of the chancel and nave are from 1500–1520, attributed to the Brarup workshop. The dome of the apse contains an interesting representation of the Coronation of the Virgin from c. 1275, the oldest in Denmark, probably influenced by munks of the mendicant orders of the period.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.