Brarup Church is an annex to Kippinge Church as it has been since before the Reformation. There is little information about ownership in the Middle Ages apart from the fact that the Crown had calling rights for the appointment of clergy. In 1585, the church owned factories and land strips on three farms. After the Reformation, the church was owned by the Crown until it was auctioned into private ownership in 1767 but by 1793 had been reacquired by the State. In 1868, it was bought by the citizens of the parish.
The apse, chancel and nave are built of brick in the Late Romanesque style on a double sloping plinth with pilaster strips at the corners and saw-toothed cornices at the top. The apse is divided into three sections with narrow pilaster strips. The bevelled window to the east has been opened up and the two others reconstructed in 1911 when the church was restored. On the south wall, a small, sharply pointed and slightly projecting priest's door can be seen. The south door is still in use but has been significantly transformed. The north door has been bricked up. The tower and porch were added in the Gothic period.
The apse has retained its half-domed vault. The cross vaults in the chancel and the nave's flat ceiling are original. Salt decay is noted on a vault's medieval bricks. The altarpiece, a carved triptych from c. 1450 similar to the one in Vålse Church, depicts the Crucifixion in the centre flanked by the Apostles. The paintings on the back of the lateral panels are of the Virgin Mary, John the Evangelist, St Catherine and John the Baptist. The crucifix on the west wall, 268 cm in height, dates from the beginning of the 14th century. The pulpit (1635) is the work of Jørgen Ringnis, carved in the Auricular style. Similar to that in Nørre Alslev Church, it contains carved figures of Moses, Christ the Savior and John the Baptist. The figures of the four Evangelists, originally in the panels of the pulpit, are now in the apse. Originally in the chancel arch, it was moved to the southeast corner of the church, probably in 1852.
The church has frescos from three periods, those in the apse are from c. 1275, the chancel arch decorations are from c. 1300, attributed to the Kippinge workshop, and those on the walls of the chancel and nave are from 1500–1520, attributed to the Brarup workshop. The dome of the apse contains an interesting representation of the Coronation of the Virgin from c. 1275, the oldest in Denmark, probably influenced by munks of the mendicant orders of the period.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.