Nørre Alslev Church dates from at least 1308, a date found on its early frescos. Built in the Early Gothic style and painted pink according to local tradition, it is best known for its fresco of the death dance. In the Middle Ages, the church was dedicated to St Nicholas. The Early Gothic chancel and nave are built of brick on a 60 cm high sloping foundation. The chancel, with a three-sided end, has a stepped frieze. The tower with its stepped gable and the porch are Late Gothic.
The chancel has a dome-shaped vault with semicircular ribs on dwarf columns. The chancel arch is pointed while the nave has a humped vault with clover-shaped ribs and webbing. The present vault has possibly been supported by additional masonry after a fall as evidence of a higher vault has been found.
The recently restored altarpiece is the work of Jørgen Ringnis (1653). The central panel contains an alabaster relief by Henry Luckow-Nielsen (1948). The pulpit (1643) is also made by Ringis.
Nørre Alslev Church has frescos from four different periods. They have been restored on several occasions, first by Jacob Kornerup (1825–1913) who discovered them in 1895, then in 1911 by Eigil Rothe (1868–1929) and finally by Harald Borre (1891–1964) in 1941. Those in the apse date from the beginning of the 14th century, one apparently dated 1308. The Majestas Domini over the chancel arch is from c. 1350. Rothe discoved a number of frescos in the nave which were from around 1400 but they were again covered with whitewash in view of their fragile condition. Around 1500, the entire nave was decorated with frescos by the Elmelunde Master and his workshop but many of those discovered have again been whitewashed.
The most interesting of the Elmelunde frescos is the one on the west wall depicting the death dance. While the death dance (which stems from the plague) can be seen in many church decorations across Europe, it is unusual in Denmark, the only other occurrences being in Egtved and Jungshoved. Given the limited space, the fresco in Nørre Alslev is somewhat simplified but it includes a king, a bishop, a lord and a peasant. Interestingly, unlike the skeletons often represented in the death dance, the figures here are all fully clothed.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.