In the Middle Ages the Vaeggerløse church was dedicated to St Olaf. The chancel and nave from the late Romanesque period were built in brick on a profiled plinth with pilaster strips on the corners. The chancel's pilaster strips now only remain on its southwest corner. Originally there was also an apse which was torn down but later replaced during the restoration work in 1861 by the Hamburg architect Ernst Heinrich Glüer. On that occasion, the south door was bricked up but the door frame remains. The tower is from the Late Gothic period.
The chancel and the nave have a flat-beamed ceiling. The altarpiece painting of Christ Resurrected is by Heinrich Hoffman (1868). The pulpit from c. 1640 is the work of Jørgen Ringnis, similar to that in Aastrup Church. Its large shell-framed panels depict the four evangelists. The Early Gothic crucifix on the north wall of the nave, c. 175 cm high, is from the late 13th century.
In 1906, frescos from c. 1520 were discovered in the tower vault. Painted on a thin layer of whitewash, they were in poor condition. The south segment depicted the Adoration of the Magi, the fresco on the east segment could not be identified and that on the north side showed Christ's entry into Jerusalem followed by haloed apostles. The fresco on the west segment, depicting a lively scene of the Supper at Emmaus, was in good enough condition to be preserved. Christ sits with two distinguished gentlemen at a finely set table with bread and a spotted leg of venison. There are two servants, one carrying a bowl, the other pouring wine from a jug. The woman lying on the floor in the foreground is perhaps Mary Magdelene. The colours are grey, russet, ochre and green.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.