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Founded: 1743Category: Miscellaneous historic sites in Denmark
Historical period: Absolutism (Denmark)
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Torkilstrup Windmill dates from 1743 and is one of the country's few post mills which still stand on their original site. Standing on a hill to the south of the village, the grain mill dates back to c. 1650. Hans Mortensen acquired it in 1726, operating it for the next 44 years. In 1743, he rebuilt the mill, recording the date on an interior beam around a heart containing his initials (HMSM) together with those of his wife (AMPD) Anna Margrethe Pedersdatter. Mortensen must have been a thrifty individual. On his death at the age of 65, in addition to a chiming clock, an iron stove, a four-poster bed, a Bible and a German prayerbook, he left an amount of over 793 rigsdaler, an exceptionally high amount of money for a farmer of his day. The mill remained in operation until 1945.
The rectangular mill stands on a fieldstone foundation. The wooden body of the mill is faced with shingles. The boat-shaped roof is also covered with shingles. It has latticed vanes with a span of 18 m, designed to be covered with sailcloth. The mill can be rotated by means of a manually operated yaw. For a period, a bakery was attached to the mill. The workings of the mill have been preserved and include grinders, an oat roller, a drum sieve, a cap wheel, a crown drive and a vane shaft.
Equipped with tables and benches for picnics, the area around the mill can be freely accessed. The mill itself is open to visitors on Ascension Day from 10 am to noon, on the third Sunday in June (Danish mill day) from 10 am to 2 pm, and on the day the harvest festival is celebrated in Torkilstrup Church. It can also be visited by appointment.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.