Built around 1350, Birket church is rather younger than many country churches in the area which are typically from the 12th and 13th centuries. Until 1687, it had its own parish priest but it was then annexed to Vesterborg until 1914. After the Reformation it came under the ownership of the Crown but in 1686 was transferred to Pedr Brandt til Pederstrup. The church became independent in 1914.
The church, built of brick on a fieldstone base, consists of a chancel, a nave and a porch. The chancel with its three-sided eastern gable is all that remains of the original brick building from c. 1350. Around 1500, the original nave was replaced by the nave in the Late Gothic style which stands today. The vaulted ceilings of the nave and chancel were added at the same time. The church's exterior is now plastered over and painted yellow.
The wooden bell tower which stands apart from the church near the main entrance to the churchyard is the best preserved example of its kind in Denmark's country churches and one of the finest Medieval timber structures still standing in Denmark and possibly the oldest. Built on the top of an ancient burial mound, it consists of a heavy framework of oak on a fieldstone foundation. The exterior covering of tarred planks has been replaced several times over the years, most recently in 1974.
The church's former altarpiece, a triptych carved by Benedict Dreyer of Lübeck in the early 16th century, is now in the National Museum. It has been replaced by a painting from c. 1800 of Christ's burial attributed to Johan Georg Wahl. The pulpit from the second half of the 18th century has been put together from pieces of various origins, some perhaps from an earlier pulpit. The polygonal Gothic font, as old as the church itself, is in Gotland limestone. Its reliefs depict two birds, an eagle, a cock and a fanciful combination of a lion's body, a horse's head and a human face.
Frescos in the chancelIn 1900, frescos depicting a Gethsemane scene were discovered in the chancel by Jacob Kornerup who restored them in 1910. Jesus is depicted before an altar bearing a chalice containing rice, corn and a whip. The three apostles are shown reading as soldiers in armor typical of the 16th century arrive. A pelican with a halo stands in the centre, reflecting a passage from Revelation.References:
Heidelberg Castle is a famous ruin and one of the the most important Renaissance structures north of the Alps. The rich and eventful history of Heidelberg Palace began when the counts palatine of the Rhine, – later prince electors – established their residence at Heidelberg. The earliest castle structure was built before 1214 and later expanded into two castles circa 1294; however, in 1537, a lightning-bolt destroyed the upper castle. Until the Thirty Years’ War, Heidelberg Palace boasted one of the most notable ensembles of buildings in the Holy Roman Empire. The present structures had been expanded by 1650, before damage by later wars and fires. In 1764, another lightning-bolt caused a fire which destroyed some rebuilt sections.
The 19th century brought a new wave of admiration: a sight both terrible and beautiful, the ruins epitomised the spirit of the Romantic movement. Heidelberg Palace was elevated to a national monument. The imposing edifice and its famous garden, the Hortus Palatinus, became shrouded in myth. The garden, the last work commissioned by the prince electors, was never completed. Some remaining landscaped terraces and other vestiges hint at the awe-inspiring scale of this ambitious project. In the 17th century, it was celebrated as the “eighth wonder of the world”. While time has taken its toll, Heidelberg Palace’s fame lives on to this day.
Heidelberg Castle is located 80 metres up the northern part of the Königstuhl hillside, and thereby dominates the view of the old downtown. Set against the deep green forests on the north flank of Königstuhl hill, the red sandstone ruins tower majestically over the Neckar valley.