The Château de Rosanbo, overlooks the Bô river valley. The origin of its name stems from this fact, as in Breton it means 'rock on the Bô'. The château, which was in the past the stronghold of the Coskaër de Rosanbo family, then later of the Le Peletier de Rosanbo family, is square in shape and has been developed and re-fashioned throughout its history. In the 14th century, a fortified castle was built on a strategic headland, located 4 miles from the bay of Saint-Michel-en-Grève in order to prevent the ascent of the Bô by invaders. In the 16th century, it was extended with a Gothic manor.
The buildings were further extended in the 18th Century by Louis Le Peletier de Keranroux, first president of the Paris parliament and husband of Geneviève de Coskaër (the last inheritor of that name). At the time of this redevelopment, the architect Joubert added a gallery to the château and a corner room overlooking the valley. The old kitchen was transformed into a wood pannelled dining room and, on the floor above, additional new space allowed small rooms such as private bathrooms and boudoirs to be created. At the end of the 19th Century, new suites were designed by the architect Lafargue, who was also responsible for the restoration of the châteaux of Josselin and Chenonceaux.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.