Saint-Pol-de-Léon Cathedral was formerly the seat of the Bishop of Saint-Pol-de-Léon, a bishopric established in the 6th century and abolished under the Concordat of 1801, when its territory was transferred to the Diocese of Quimper.
It is dedicated to its 6th-century founder, the first bishop Saint Paul Aurelian. He was originally from Wales and he is considered to have been the first bishop of the Léon area.
Built on the site of an ancient Roman church, some vestiges of which still exist. This great monument has been constructed in several stages. The present building however, although on the same site, was built in the 13th century (with later additions). The facade with its two high towers and the remarkable nave from the 13th century made of limestone from Caen, limestone demonstrate this stylistic and economical heritage from Normandy. The western façade and the south porch date back from the 13th century whereas the chancel (choir made of granite) and the transept are from the beginning of the 15th century. The cathedral was completed in the second half of the 16th century (the ambulatory and the southern chapel). It also has an ensemble which is almost unique in Brittany
The 50-metre spires are from the end of the 14th century. In the 16th century, side chapels gave it its definitive stature. The cathedral is 80 metres long in total, 16-metre height under the vaults and 44 metres wide with the transepts. In the north tower, there are three bells which date from more than three centuries ago, including the oldest bourden bell in Brittany, which weights more than 2 tonnes, and was cast in 1563.
Beyond its great architectural significance, the cathedral shelters a multitude of unusual artistic curiosities. The great organ in the cathedral was built between 1657 and 1660 by the English refugees Robert and Thomas Dallam. It is composed of 2118 pipes and it is listed. There are also relics, amongst them Paul Aurélien Celtic bell, one of the oldest Carolingian bell in Brittany and, in a crystal tube, a thorn from the Christ crown. The interesting detail are also 32 boxes containing skulls, a reminder of the custom in use until the 19th century, which consisted in exhuming the skeletons after five years in order to make room to the new deceased. The bones were carefully laid down in the charnel house and the skulls were locked up in small pierced boxes and they were then handed over to the families.There is also a a Roman sarcophagus which is thought to be the sepulture of Conan Mériadec, first Christian king of Brittany, who died in 421.References:
Augustusburg Palace represents one of the first examples of Rococo creations in Germany. For the Cologne elector and archbishop Clemens August of the House of Wittelsbach it was the favourite residence. In 1725 the Westphalian architect Johann Conrad Schlaun was commissioned by Clemens August to begin the construction of the palace on the ruins of a medieval moated castle.
In 1728, the Bavarian court architect François de Cuvilliés took over and made the palace into one of the most glorious residences of its time. Until its completion in 1768, numerous outstanding artists of European renown contributed to its beauty. A prime example of the calibre of artists employed here is Balthasar Neumann, who created the design for the magnificent staircase, an enchanting creation full of dynamism and elegance. The magical interplay of architecture, sculpture, painting and garden design made the Brühl Palaces a masterpiece of German Rococo.
UNESCO honoured history and present of the Rococo Palaces by inscribing Augustusburg Palace – together with Falkenlust Palace and their extensive gardens – on the World Heritage List in 1984. From 1949 onwards, Augustusburg Palace was used for representative purposes by the German Federal President and the Federal Government for many decades.
In 1728, Dominique Girard designed the palace gardens according to French models. Owing to constant renovation and care, it is today one of the most authentic examples of 18th century garden design in Europe. Next to the Baroque gardens, Peter Joseph Lenné redesigned the forested areas based on English landscaping models. Today it is a wonderful place to have a walk.