The Château de Rosanbo, overlooks the Bô river valley. The origin of its name stems from this fact, as in Breton it means 'rock on the Bô'. The château, which was in the past the stronghold of the Coskaër de Rosanbo family, then later of the Le Peletier de Rosanbo family, is square in shape and has been developed and re-fashioned throughout its history. In the 14th century, a fortified castle was built on a strategic headland, located 4 miles from the bay of Saint-Michel-en-Grève in order to prevent the ascent of the Bô by invaders. In the 16th century, it was extended with a Gothic manor.
The buildings were further extended in the 18th Century by Louis Le Peletier de Keranroux, first president of the Paris parliament and husband of Geneviève de Coskaër (the last inheritor of that name). At the time of this redevelopment, the architect Joubert added a gallery to the château and a corner room overlooking the valley. The old kitchen was transformed into a wood pannelled dining room and, on the floor above, additional new space allowed small rooms such as private bathrooms and boudoirs to be created. At the end of the 19th Century, new suites were designed by the architect Lafargue, who was also responsible for the restoration of the châteaux of Josselin and Chenonceaux.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.