Grip Stave Church is one of Norway's smallest churches (it is only 12m long and 6,5m wide). The church was built in about 1470 at the island's highest point. The church is of the Møre type, being structurally similar to the larger Kvernes and Rødven stave churches. Because of the barren nature of the island, there is no cemetery on the church grounds, and bodies had to be buried elsewhere, in the cemetery of Bremsnes Church, over 10 kilometres away over open sea.
It underwent major modifications in 1621 when the walls were replaced, and a flèche was added. Today's windows were installed in the 1870s, and at the same time both a weaponhouse and a sacristy were added. During restoration work in 1933 a new foundation was added, and the exterior walls were panelled. All this rebuilding is why the exterior does not resemble the more typical Norwegian stave churches.
The altar is a triptych from Utrecht in the Netherlands, dated to about 1520, with a central sculpture of the Blessed Virgin Mary, flanked by sculptures of Saint Olaf of Norway and Saint Margaret the Virgin, locally known as St. Maret.According to legend, the triptych is one of five altars donated to Norwegian churches by princess Isabella of Austria after being escorted by Erik Valkendorf, Archbishop of Norway, in terrible weather en route to her wedding in Copenhagen with the Danish king Christian II in 1515. Other altars were donated to the churches of Kinn, Leka, Hadsel and Røst. The five altars are referred to by art historians as the Leka group. Four of the altars have survived intact to this day, but Grip has the only complete altar in the original church.
Despite having sculptures of three saints, the altar survived the protestant reformation of Norway in 1537. The altar was restored in 2002. The church also has a small altar cup from 1320, a 16th-century double-sided painting on canvas, murals from the 1621 modifications, and two votive ships.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.