Grip Stave Church is one of Norway's smallest churches (it is only 12m long and 6,5m wide). The church was built in about 1470 at the island's highest point. The church is of the Møre type, being structurally similar to the larger Kvernes and Rødven stave churches. Because of the barren nature of the island, there is no cemetery on the church grounds, and bodies had to be buried elsewhere, in the cemetery of Bremsnes Church, over 10 kilometres away over open sea.
It underwent major modifications in 1621 when the walls were replaced, and a flèche was added. Today's windows were installed in the 1870s, and at the same time both a weaponhouse and a sacristy were added. During restoration work in 1933 a new foundation was added, and the exterior walls were panelled. All this rebuilding is why the exterior does not resemble the more typical Norwegian stave churches.
The altar is a triptych from Utrecht in the Netherlands, dated to about 1520, with a central sculpture of the Blessed Virgin Mary, flanked by sculptures of Saint Olaf of Norway and Saint Margaret the Virgin, locally known as St. Maret.According to legend, the triptych is one of five altars donated to Norwegian churches by princess Isabella of Austria after being escorted by Erik Valkendorf, Archbishop of Norway, in terrible weather en route to her wedding in Copenhagen with the Danish king Christian II in 1515. Other altars were donated to the churches of Kinn, Leka, Hadsel and Røst. The five altars are referred to by art historians as the Leka group. Four of the altars have survived intact to this day, but Grip has the only complete altar in the original church.
Despite having sculptures of three saints, the altar survived the protestant reformation of Norway in 1537. The altar was restored in 2002. The church also has a small altar cup from 1320, a 16th-century double-sided painting on canvas, murals from the 1621 modifications, and two votive ships.References:
The Beckov castle stands on a steep 50 m tall rock in the village Beckov. The dominance of the rock and impression of invincibility it gaves, challenged our ancestors to make use of these assets. The result is a remarkable harmony between the natural setting and architecture.
The castle first mentioned in 1200 was originally owned by the King and later, at the end of the 13th century it fell in hands of Matúš Èák. Its owners alternated - at the end of the 14th century the family of Stibor of Stiborice bought it.
The next owners, the Bánffys who adapted the Gothic castle to the Renaissance residence, improved its fortifications preventing the Turks from conquering it at the end of the 16th century. When Bánffys died out, the castle was owned by several noble families. It fell in decay after fire in 1729.
The history of the castle is the subject of different legends. One of them narrates the origin of the name of castle derived from that of jester Becko for whom the Duke Stibor had the castle built.
Another legend has it that the lord of the castle had his servant thrown down from the rock because he protected his child from the lords favourite dog. Before his death, the servant pronounced a curse saying that they would meet in a year and days time, and indeed precisely after that time the lord was bitten by a snake and fell down to the same abyss.
The well-conserved ruins of the castle, now the National Cultural Monument, are frequently visited by tourists, above all in July when the castle festival takes place. The former Ambro curia situated below the castle now shelters the exhibition of the local history.